MOTION PICTURE REVIEWS
WOMEN’S UNIVKSI17 CLUB LOS ANGCLCS.CAL/r
Vol. Ill
1932
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MOTION
PICTURE
REVIEWS
THE WOMEN'S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
JANUARY 1932
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
943 South Hoover Street <$xj>
Telephone DRexel 2177
<Sx8>
Copyright by
Women’s University Club 1931
WEBBCRAFT PRINTERS. 1051 ARLINGTON AVE , LOS ANGELES
Motion Picture Reviews
Three
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MOTION |
• PICTURE |
• REVIEWS |
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Published monthly by WOMEN’S UNIVERSITY CLUB |
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LOS ANGELES BRANCH |
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AMERICAN ASSOCIATION OF UNIVERSITY WOMEN |
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Mrs. John Vruwink ) Mrs. Palmer Cook, \ Co-Chairmen |
Mrs. Gerard A. Murray Preview Chairman |
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Editors |
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Mrs. J. Allen Davis Mrs. Palmer Cook |
Mrs. Arthur Jones Mrs. John Vruwink, |
Mrs. Walter Van Dyke Mrs. F. H. Partridge |
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Address all communications to The Women’s University Club, 943 South Hoover Street, Los Angeles, California. |
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VOL. III. No. 1 |
JANUARY, 1932 |
10c per Copy, $1.00 per Year |
FEATURE FILMS
4
BEAU HUNKS » »
Laurel and Hardy. Direction by James Horne. M.G.M.
When Hardy’s best girl refuses him, he and Laurel join the Foreign Legion and become heroes through a series of blunders only possi- ble to these incomparable comedians. The picture follows the well known Laurel and Hardy formula and will delight their many followers.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Excellent
0-9
CITY SENTINELS » »
Previewed under the title “Smashing the Vice Ring”. Walter Huston, Jean Her- sholt, Jean Harlow, Tully Marshall. Di- rection by Charles Brabin. M.G.M. (Seen in preview).
Honest and sincere “Fighting Fitzpatrick” works his way up in the police force from patrolman to Chief. He is determined to clean up the city despite the handicaps of politics, “writs of habeas corpus”, and medd- ling civic committees. In this drama of gangster activities the police are the heroes in the unequal struggle to protect life and property even at the cost of their own lives. It is a fair presentation of the police prob-
lem and the crime situation, realistic and ex- citing. Mr. Huston gives an excellent charac- terization.
Adolescents, 12 to 16 Children, 8 to 12
Not suitable No
C+-9
COCK OF THE AIR » »
Billie Dove, Chester Morris, .Watt Moore Written by Robert Sherwood and Charles Lederer. Direction by Tom Buckingham. Howard Hughes Production. United Artists.
From a brilliant beginning this picture simmers down into slapstick, sacrificing all plot value in a jumble of antics. It is diffi- cult to criticize because the production has some charm; lovely scenes of a Venetian carnival, other familiar and intriguing European settings, airplane shots which are distinctive and beautiful. But Billie Dove is not the type for slapstick and one feels a certain amount of embarrassment in finding her there. It might have been a thrilling romance exquisitely produced. Actually it is a mediocre inconsistent comedy which man- ages to preserve some measure of entertain- ment.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
Four
Motion Picture Reviews
CORSAIR » »
Chester Morris, Thelma Todd. A Ro- land West Production. United Artists.
The whole idea of this picture involves such preposterous ethics that no discriminat- ing audience could possibly accept it. A football hero, clerk in a Wall Street broker- age, is revolted at the demand that he sell worthless mining stock to a widow'. In order to prove that he can make just as much money without duping widows, he becomes a murderous hi-jacker. Having gained the re- spect of his former employer by his superior cunning and brutality, he condescends to ac- cept a fine position, satisfied with the assur- ance that he will not have to sell poor stock to unsuspecting victims. Fortunately the pro- duction is neither glamorous nor well acted enough to disguise its stupidity and not con- sistent enough to make its bad ethics seem practical.
Adolescents, 12 to 16 Children, 8 to 12
No No
C'KO
DANCE TEAM » »
James Dunn, Sally Eilers. Direction by Sidney Sanfield. Fox.
The personal charm of the stars and the appealing quality of this human little story of the struggles, successes and vicissitudes of two young people make this a delightfully entertaining picture. James Dunn and Sally Eilers are ideally cast, and the well developed plot, spontaneous humor and clean romance should hold great appeal for family audi- ences.
Adolescents, 12 to 16 Children, 8 to 12
Good Probably little
interest
C-KS
DR. JEKYLL AND MR. HYDE
Fredric March, Rose Hobart, Miriam Hopkins, Halliswell Hobbes. Direction by Rouben Mamoulian. Adapted by Percy Heath and Samuel Hoffenstein from the story by Robert Louis Steven- son. Paramount-Publix.
Fredric March gives a remarkable and masterful presentation of the dual personali- ty of Dr. Jekyll and Mr. Hyde. His buoyant, impulsive doctor of the the early scenes makes him a thoroughly likable character, which emphasizes the contrast when he sinks to the level of the degraded Hyde. The change is adroitly effected by the use of sound effects and shifting camera to indicate the reversion of feeling that he undergoes. On the whole the mood, the atmosphere, of the Stevenson novel is retained in the hair-raising and blood
chilling moments, and in the working out of the great discovery which ends in the triumph of the lower self. The story has its super- natural aspects, and the photography and sound are so directed as to convince the audi- ence even of the incredible. There are some intimate and objectionable scenes, not in keeping with the original story, that seem in poor taste. It is exceptionally stirring and will prove, for many, too much of an emotional strain to be encompassed within the realm of entertainment, but the excell- ence of the production will appeal to most adults and its real interest in retrospect will be its spiritual significance.
Adolescents, 12 to 16 Children, 8 to 12
Too Strong Too hair-raising
C't'J
EMMA » »
Marie Dressier, Jean Hersholt, Richard Cromwell. Direction by Clarence Brown. M.G.M.
An unusual story, definitely constructed for Miss Dressier, gives us the combination of tears and laughter which we associate with the work of this delightful artiste. It is a theme of love and devotion, of deepest faith in human goodness, and leaves us better for having seen it. Even a suggestion of the plot is unnecessary. You will like it; laugh at the delicious absurdities, and cry without embarrassment at the pathos.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Good
GALLOPING THROUGH » »
Tom Tyler. Direction by Lloyd Nosier. Monogram Pictures.
A Western of the old type with some good riding and much sudden death. Details have not been carefully chosen to place the story in pioneer days ; consequently there seems little excuse for the administration of justice by continuous gun play. Episodes are melo- dramatic to the point of absurdity. It is on a level with cheap magazine serials, boring for adults and discriminating adolescents, fostering wrong ideas of citizenship for those with untrained minds.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
C-+-0
GIRL OF THE RIO » »
Dolores Del Rio, Leo Carrillo. Adapted from the play “The Dove” by Willard Mack. Direction by Herbert Brennen. R.K.O.
It may be that the pendulum of taste has swung away from romantic swashbuckling
Motion Picture Reviews
Five
melodrama so far that this former stage success suffers in consequence. At any rate the picture seems unreal and arouses little interest. A well selected cast struggles with situations which invite no sympathy and do not leave an impression of plausibility. The plot is laid in a Mexican border gambling resort where the “Dove” dances in the Casino. She attracts the attention of a law- less gambler who exerts every effort to get her as his mistress. The reason for his final renunciation is not so convincing as it seem- ed in the stage production. The photography and outdoor settings are exquisite.
Adolescents, !2 to 16 Children, 8 to 12
Not recommended No
c-t-s
HELL DIVERS » »
Clark Gable, Wallace Beery, Marjorie Rambeau. A Geo. Hill production. M. G.M.
Whatever type of picture you usually pre- fer, here is one that cannot fail to give you a real thrill. United States Naval aviators in action, the airplane carrier “Saratoga”, its huge deck swarming with planes, target practice from the clouds, maneuvers in the air that make you dizzy just to watch. Even without the fictional element that holds to- gether these magnificently photographed scenes, there would be plenty of romance in watching the every day life of these aviators, but the scenarist has provided deeds of hero- ism and self-sacrifice and breath-taking ad- ventures that keep you on the edge of your seat. Singularly lacking in the maudlin sentimentality that often mars such pictures, the story is developed mainly through inter- est in the character of a sergeant, expert bomber of the squadron whose loyalty to his “Skipper” and dogged devotion to duty are equalled only by his love of a fight. Wallace Beery so ably portrays this character that he fairly lives the part, and among the real navy men does not stand out as a mere alien actor. With the cooperation of the United States Navy the producers have made a pic- ture that is worthy of a place among the best. Adolescents, 12 to 16 Children, 8 to 12
Excellent Very exciting
HER MAJESTY LOVE » »
Marilyn Miller, Ben Lyon, Ford Sterling, Leon Errol. Direction by William Die- terle. Warner Brothers-First National.
Excellent comic relief, good acting and a tuneful score enliven this light musical comedy. Marilyn Miller as barmaid in a night club is the charming leading lady who loves a rich young society man. Some of the
jokes and situations are off color and the plot is of no consequence, but all ends cheerfully. Adolescents, 12 to 16 Children, 8 to 12
Too sophisticated No interest
HUSBAND'S HOLIDAY » »
Clive Brook, Vivienne Osborne. Adapted from the novel and play by Ernest Pas- cal entitled “Daddy Goes A Hunting.” Direction by Robert Milton. Paramount- Publix.
A program picture concerning “a woman’s struggle to preserve her marriage in the face of her husband’s infidelity.” It lacks origi- nality in treatment or theme and is of aver- age interest only for adult audiences. Adolescents, 12 to 16 Children, 8 to 12
No No
CfJ
LADIES OF THE BIG HOUSE » »
Sylvia Sidney, Gene Raymond. Direction by Marion Gering. Paramount-Publix. In this starkly realistic drama, an innocent young couple are “framed” and thrown into prison for a crime they have not committed. The unforgetable scenes of prison life, the suffering and despair of the young husband and wife and their final vindications should be powerful propaganda against injustice and corruption. Though perfectly acted and skill- fully directed, the maturity and intensity of its theme are too somber for children. Adolescents, 12 to 16 Children, 8 to 12
Hardly No
C'KS
LADIES OF THE JURY » »
Edna May Oliver, Ken Murray. Direc- tion by Lowell Sherman. R.K.O.
A very charming lady wheedles and per- suades her reluctant fellow-jurors to acquit an ex-chorus girl of murder. Edna May Oliver as the “charming lady”, gives just the right touch of comedy and burlesque, and be- cause of her finesse and humor we all can enjoy a most entertaining evening at the ex- pense of our famous jury system.
Adolescents, 12 to 16 Children, 8 to 12
Harmless Little interest
G'KO
MANHATTAN PARADE » »
Winnie Lightner, Charles Butterworth. Direction by Lloyd Bacon. Photographed in technicolor. Warner Brothers.
If “Manhattan Parade” is Hollywood’s answer to “Once in a Lifetime” it misses fire by too malicious an attack. Hollywood
Six
Motion Picture Reviews
took the “kidding” too seriously, for the bur- lesque is overdone and the typical characteri- zations lose reality, Winnie Lightner alone seeming human. For plot: a woman costumer exploits a mad Russian playwright in order to secure contracts for a Broadway show, and the vulgarity of two producers provides the humor. However it is different in theme and has excellent color effects, which make it on the whole a fairly entertaining, if trivial, program picture.
Adolescents, 12 to 16 Children, 8 to 12
Unobjectionable No interest
MATA-HARI » »
Greta Garbo, Ramon Novarro, Lionel Barrymore, Lewis Stone. Direction by George Fitzmaurice. M.G.M.
There is always a degree of fascination in the operations of a spy. In this play Mata Hari, most notorious of the World War intri- gants, comes to life in the person of Greta Garbo and relives the vivid and tragic months in Paris which inevitably lead to the firing squad. It is one of the finest oppor- tunities Miss Garbo has had to display her skill and charm. Lionel Barrymore and Ra- mon Novarro appear as two of the officers ensnared by her fascination, Lewis Stone as her superior in the espionage system. The cast is exceptional even to the minor charac- ters, and direction is noteworthy, with very skillful touches in the use of silence and dark- ness. It is a picture for the discriminating. Nevertheless, because of the facts of the story, the general tone is depressing, and the cour- tesan phase of Mata Hari’s life is too strong- ly emphasized for adolescents.
Adolescents, 12 to 16 Children, 8 to 12
Too mature No
C'KO
MEN IN HER LIFE » »
Charles Bickford, Lois Moran. From the book by Warner Fabian. Direction by William Beaudine. Columbia Pictures.
Charles Bickford plays the part of a rich bootlegger who decides to retire and learn parlor tricks. Lois Moran is a society girl in need of money whom he hires to teach him drawing-room tactics. The story is at first amusing with a dash of spice but later develops into a melodramatic tragedy rather antiquated in treatment.
Adolescents, 12 to 16 Children, 8 to 12
Better not No
MEN OF CHANCE » »
Mary Astor, John Halliday, Ralph Ince, Ricardo Cortez, Kitty Kelly. Direction by George Archainbaud. R.K.O.
Against the picturesque and colorful back- ground of a Parisian race track is unfolded a romance of the intrigues of professional gamblers. Mary Astor as a bogus countess and Ricardo Cortez as a handsome gambler are the leading figures in this sophisticated and well acted drama. All the shady deals and sordid situations, though entirely in keeping with this type of story, are confusing and not particularly wholesome subjects for the entertainment of immature audiences. It is fairly entertaining for adults.
Adolescents, 12 to 16 Children, 8 to 12
Better not No interest
PANAMA FLO » »
Helen Twelvetrees, Robert Armstrong, Charles Bickford. Direction by Ralph Murphy. R.K.O. -Pathe.
“Panama Flo” is strictly for adult audi- ences if they enjoy sordid, tawdry melodrama without any particularly artistic accomplish- ments to redeem it. It tells the story of a girl, stranded by her fiance, and without funds, who, in her abandoned predicament, is caught stealing. She is forced to work out her redemption, and loyalty to her rescuer is rewarded in the end. It is vulgar in substance and implication.
Adolescents, 12 to 16 Children, 8 to 12
Absolutely not No
C'f-S
PARTNERS » »
Tom Keene, Nancy Drexel. Direction by Fred Allen. R.K.O. -Pathe.
Adjust your yawns to a wolesome, simple direct “Western”. It is a well photographed film, rather stilted in dialogue, but adequate in cast and swift in action. An old peddler is murdered and a- young rancher accused of the crime. The peddler’s small grandson helps detect the real culprit. Though the pic- ture contains nothing outstanding for adult audiences, it is probably entertaining for juveniles, and the presence of the child actor will heighten the interest for them. Adolescents, 12 to 16 Children, 8 to 12
Yes Y es
ce+s
PEACH O'RENO » »
Bert Wheeler, Robert Woolsey, Joseph Cawthorn, Dorothy Lee, Zelma O’Neal. Direction by William Seiter. R.K.O.
Reno furnishes amusing material for this absurd burlesque full of comical situations,
Motion Picture Reviews
Seven
stunts and gags. The Brunos quarrel on their 25th anniversary and rushing off to Reno, each engages the firm of Wattles and Swift. Humor runs riot over divorce methods and court room scenes. The cast is uneven, the jokes broad, enjoyment of which is a matter of personal taste.
Adolescents, 12 to 16 Children, 3 to 12
Not recommended No
G'KS
PRIVATE LIVES » »
Norma Shearer, Robert Montgomery, Reginald Denny, Una Merkel, Jean Hersholt. Direction by S. Franklin. M.G.M.
Strictly out of order for the immature and those who have puritanical leanings, this is nevertheless a highly diverting comedy of the sophisticated type which has held a domi- nant place on the stage during recent years. It throws the proprieties to the winds. Amanda and Ellyot, a divorced couple, meet by a freak of chance in a French hotel, where each is embarking on a new matro- monial venture, and swept away by the old infatuation, leave together for a chalet in Switzerland. There follows the conflict of two charming and temperamental people who love each other and vet are too individual to sacrifice anything for the sake of peace. It is all very human, and in spite of farcical exaggerations, gives an insight into most marriages and gaily ridicules divorce as a panacea. The dialogue is satiric, often scintillating, and both actors and directors have entered completely into the spirit of Noel Coward’s play concerning the complexi- ty of modern marital relations.
Adolescents, 12 to 16 Children, 8 to 12
Very unsuitable No
c+J
RACING YOUTH » »
June Clyde, Frank Albertson, Louise Fa- zenda, Slim Summerville. Direction by Vin Moore. Universal Pictures Corp.
A beautiful girl inherits an automobile fac- tory and arrives to investigate it, accompani- ed by a formidable spinster secretary. The factory manager mistakes the secretary for the owner. This complication plus a villain, a terrific automobile race and a romance sup- ply the points of interest in a stereotyped comedy. There are two major accidents thrown in to appeal to the gladiatorial taste of the mob.
Adolescents, 12 to 16 Children, 8 to 12
Not harmful Not harmful
THE RAINBOW TRAIL » »
George O’Brien, Cecilia Parker, Minna Gombell, Roscoe Ates. From the novel by Zane Grey. Direction by Barry Conners and Philip Klein. Fox.
An old fashioned “Western” with villains and heroes melodramatically characterized, the “Rainbow Trail” is a sequel to “Riders of the Purple Sage”. It is somewhat con- fused and improbable in plot but well enough acted and directed, and distinguished by glorious photography of the Grand Can- yon. Possible for family audiences, it is marred by needlessly harrowing scenes. Adolescents, 12 to 16 Children, 8 to 12
Yes Questionable in de-
tail, but full of action.
e-fO
THIS RECKLESS AGE » »
Richard Bennett, Frances Starr, Charles Rogers, Frances Dee, Peggy Shannon, Charles Ruggles. Direction by Frank Tuttle.
“There’s still good in our young folk”, might well be the theme song of this pleas- antly sentimental tale. The father and mother of two selfish irresponsible children find them essentially sound when a crisis presents it- self. Richard Bennett and Frances Starr give convincing and natural performances as father and mother, Charles Rogers and the rest of the cast are adequate. It is agree- able though unstimulating entertainment for the whole family.
Adolescents, 12 to 16 Children, 8 to 12
Yes Very little interest
e-to
SHERLOCK HOLMES' FATAL HOUR » »
Arthur Wentner, Norman McKennell, Jane Welch, Minnie Rayner. English production released by Warner Bros.
This English production excels in flawless sets, beautiful photographic effects, fine dia- logue spoken by cultured trained voices, good acting and direction. It has an interesting story in which the famous detective ferrets out the mystery of a bank robbery. While it is tense and gripping it is never gruesome, and dry humor frequently relieves the situ- ations. This type of detective story may be safely enjoyed by adolescents as well as grown-ups.
Adolescents, 12 to 16 Children, 8 to 12
Good Too mature
Eight
Motion Picture Reviews
sooky » »
Jackie Cooper, Robert Coogan, Jackie Searl. Direction by Norman Taurog. Paramount-Publix.
As a sequel to “Skippy” this comedy drama of the lives of three small boys, Skippy, Sooky, and Sidney, has lost none of the enter- tainment quality so outstanding in the for- mer production but has indeed more charm and pathos in its unfolding. The story of the devotion of Skippy to his Shanty town friend, Sooky, is a treat for any audience. There are many fine shots and well selected bits of humor, as well as strong tragedy. It is an excellent family picture for all except those who might find its pathos too emotion- al.
Adolescents, 12 to 16 Children, S to 12
Excellent Good if they are
not disturbed by pathos.
cso
STEPPING SISTERS » »
Louise Dresser, Minna Gombel, Jobyna Howland. Direction by Seymour Felix. Fox Film Corp.
Much good acting talent is wasted in this slow moving slapstick comedy. The plot is concerned with an ambitious mother who at- tempts to secure social prestige for her daughter by a “'good match”. Her former profession of Burlesque show girl overtakes her and many complications arise. It is often vulgar and much overdrawn but there are a few good laughs.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
C'f-S
A STRANGE AFFAIR » »
Jack Holt, Ralph Graves. R.K.O.-Pathe. Detective story which is not outstanding in entertainment value. It is lightly amusing, only fairly interesting. Unobjectionable. Adolescents, 12 to 16 Children, 8 to 12
Unobjectionable if Too mature
type is enjoyed
0-9
THE SOUL OF THE SLUMS » »
William Collier Jr., Cora Mahaffey. Di- rection by Frank Strayer. Action Pic- tures. Seen in Preview.
A gloomy melodrama concerned with the reform of a boy who has served a seven year prison term for a crime which he did not commit On learning of the boy’s release from prison, the man who “framed” him, deserts his common law wife and leaves town. This girl and boy fall in love and are re-
deemed through the effort of Brother Jacob, the host at an all night mission in the slums. The dialogue is stilted, the plot dreary and the photography very dark. It is not a wholesome production although it points a moral.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No interest
0-9
TORCHY TURNS THE TRICK » »
Ray Cooke, Dorothy Dix. Educational Pictures, Inc.
A cheap and unimportant comedy in which “Torchy” the office boy, through a ruse, gains a million dollar order for his firm! Only passable for any audience.
0-9
TWO KINDS OF WOMEN » »
Miriam Hopkins, Phillips Holmes, Irving Pichel, Stuart Erwin, Wynne Gibson. Direction by William de Mille. Para- mount-Publix. From Robert Sherwood’s play “This is New York.”
This picture, with an unusually experi- enced cast and directed by William de Mille, is nevertheless a distinct disappointment. The story showing a cross-section of New York night life has the usual sordid details of squandered money, excessive drinking and unpleasant entanglements. Even the “comic relief” is unpleasant unless one can enjoy the owlish blinking of a gin-dazed woman. It contains nothing new in lines or situations and is not constructive. It would be a waste of time for an audience seeking agreeable or thought provoking diversion.
Adolescents, 12 to 16 Children, 8 to 12
No No
o^>
UNEXPECTED FATHER » »
Slim Summerville, Zazu Pitts, Cora Sue Collins. Direction by Thorton Freeland. Universal Pictures Corp.
A light comedy which presents Slim Sum- merville as a man about town, grown suddenly wealthy. Pudge, an orphan waif is responsible for a change in marriage plans for Slim, which incidentally supplies Pudge with a mother and father. The child, played by Cora Sue Collins, will win the hearts of the audience, and two such comedians as Slim and Zazu Pitts as usual supply an abundance of laughs.
Adolescents, 12 to 16 Children, 8 to 12
Amusing Amusing
Motion Picture Reviews
Nine
THE WOMAN FROM MONTE CARLO » »
Lil Dagover, Walter Huston, Warren William, John Wray, George Stone. Di- rection by Michael Curtis. Warner Brothers.
Anyone who is interested in new personali- ties on the screen will enjoy seeing Miss Dagover, though the picture in which she makes her bow to our public has little else to recommend it. It is a confused and im- plausible story of a woman with a past who leaves the past only to return to it after ad- ventures in matrimony on a French warship have ended unsatisfactorily.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No interest
0-0
UNDER EIGHTEEN » »
Marian Marsh, Anita Page, Warren William, Norman Foster. Direction by Archie Mayo. Warner Brothers.
The sweet girl graduate, disillusioned by the unhappiness of her sister’s penniless marriage, decides to sacrifice herself for money. Her indiscretions are discovered in the “nick of time”. We cannot recommend this trifle, morally or aesthetically. It is quite dull.
Adolescents, 12 to 16 Children, 8 to 12
No No
WORKING GIRLS » »
Paul Lukas, Judith Wood, Dorothy Hall, Charles Rogers, Stuart Erwin, Mary Forbes. From the play, “Blind Mice” by Vera Caspary and Winifred Lenihan. Direction by Dorothy Arzner. Para- mount-Publix.
Two sisters, the one a clinging vine, and the other an independent breezy individual, arrive in New York to seek their fortune. A saxophone player, a noted scientist, and a play boy provide the male coefficients for situations which vary from naive introduct- ions to complicated indiscretions. A “shot gun” marriage makes a climax to a very much bemuddled alignment of love affairs. Adolescents, 12 to 16 Children, 8 to 12
No No
C'KO
X MARKS THE SPOT » »
Lew Cody, Wallace Ford, Sally Blane, Mary Nolan. Direction by Earl C. Ken- ton. Tiffany.
A good mystery story well written, fast moving, excellently acted. The editor of a scandal sheet, investigating a libel suit, be- comes involved in the murder of an actress. The plot has a familiar trend perhaps, but there are tense moments, and the climax is unexpected and exciting. It is best suited to adults who enjoy this type of relaxation. Adolescents, 12 to 16 Children, 8 to 12
Not recommended No-
Ten
Motion Picture Reviews
SHORT SUBJECTS *
AHOY » »
Santa Barbara Sea Scouts. Direction by Donovon Miller. Educational Pictures,
Inc.
This Boy Scouts of America Short Subject wins for itself merely honorable mention as an attempt by amateurs to show the intrigue and excitement that boys find in sea scouting. Unfortunately the picture is stilted and has an improbable plot. Boys will find it derisively amusing.
CANINE CHAMPIONS » »
Grantland Rice Sportlight. R.K.O.-
Pathe.
An interesting and educational study of champion pointers and setters from the Mit- ten Kennels in Pennsylvania. The dogs’ fine qualities are displayed and later the camera accompanies them a-field, during a pheasant hunt. Excellent for all audiences.
oo
FANCY CURVES » »
Fourth in series called “Play Ball with Babe Ruth”. Direction by Lou Breslow. Universal.
A very amusing comedy in which Babe Ruth coaches a team of girl players. It is instructive as well as humorous and will entertain all audiences.
0-9
MICKEY'S ORPHANS » »
Mickey Mouse Cartoon.
An idyll on the Christmas spirit, satirical and very amusing. The action swings in rhythm and mood to a musical accompani- ment. Children will delight in it. Recom- mended for the family.
PLAY BALL WITH RUTH » »
Direction by Ben Stoloff. Universal
Pictures Corp. A. Slide, Babe, Slide.
B. “Just Pals”. C. “Perfect Control”.
Babe Ruth enthusiasts will be pleased with this original and attractive presentation of their favorite. Always the hero of a gang of boys, orphans, school kids, etc. Ruth teaches them the game of baseball and inci- dentally, a few truisms of the game of life. He has a most engaging way with young- sters. All three reels recommended for all audiences.
0-9
SELF-CONDEMNED » »
Direction by Spencer Gordon Bennett.
This is one of a series of Nick Harris films depicting actual solution of crimes. In this case four men are held on the suspicion of murdering a certain lawyer, and the de- tective, by persuading them to reenact the crime, discovers the guilty individual. It is a dramatic story, portrayed with realism, morally fitting in that punishment is meted out to the criminal. Nevertheless, there is a question whether such cases might not better be left to the police records and the evening papers. Not recommended for family audiences.
0-9
UGLY DUCKLING » »
Silly Symphony Cartoon.
This Silly Symphony is a parody on the “Ugly Duckling”. The accompanying music is punctuated entertainingly with sounds from various animals. Recommended for the family.
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MOTION
PICTURE
REVIEWS
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
FEBRUARY 1932
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
943 South Hoover Street <$*$>
Telephone DRexel 2177
<$*$>
Copyright by
Women’s University Club
1931
WEB9CRA FT PRINTERS. 1851 ARLINGTON AVE.. LOS ANGELES
Motion Picture Reviews
Three
MOTION • PICTURE • REVIEWS
Published monthly by
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
« »
Mrs. John Vruwink ) . Mrs. Gerard A. Murray
Mrs. Palmer Cook, j Co-Chairmen Preview Chairman
Editors
Mrs. J. Allen Davis Mrs. Arthur Jones Mrs. Walter Van Dyke
Mrs. Palmer Cook Mrs. John Vruwink, Mrs. F. H. Partridge
Address all communications to The Women’s University Club, 943 South Hoover Street, Los Angeles, California.
VOL. III. No. 2 FEBRUARY, 1932 10c per Copy, $1.00 per Year
FEATURE FILMS 4
There are several films which we believe deserve special mention this month. Of these there are only two which can be called family pictures: “The Man Who Played God” is a simple human story which leaves us a little happier for having seen it. “The Man I Killed,” splendidly acted and directed, has a great theme and, to quote Mrs. Winter, “it is interesting to note that the author is a great French dramatist, the director a great german artist, and the actors notable Ameri- cans.”
“Arsene Lupin” is for the sophisticated. The combination of the Barrymore brothers on the screen is an occasion for rejoicing and this brilliant, artistic, (if immoral) vehicle will delight such audiences. “The Hatchet- Man” is distinguished by the acting of Mr. Robinson. The play is very melodramatic. In “The Shanghai Express” exceptional photo- graphy and direction make the picture un- usual. It is a sophisticated story of a glamor- ous woman, suitable only for adult audiences. “The Beast of The City,” previously reported as “City Sentinals,” is a stirring drama which
men particularly will find exceptionally inter- esting.
There are other films also which are recom- mended for one reason or another in the re- view's, making quite a generous quota in one month. But unfortunately not many are either suitable or will appeal to children. Saturday afternoon will have to call for other plans than movies!
ARSENE LUPIN » »
John Barrymore, Lionel Barrymore, Karen Morley, Tully Marshall, John Miljan. Direction by Jack Conway. M.G.M.
The charm of John Barrymore as well as the artistry of Lionel Barrymore, delights in this vivid, intriguing mystery story, in which the element of suspense is cleverly maintained to the close. Strong dramatic values, un- usual photographic effects, and attractive scenes distinguish the picture. It is to be regretted that there is the introduction of several unnecessary and highly suggestive passages which besmirch an otherwise de- lightful picture. There is a zest of adven- ture throughout, now with the arch crook,
Four
Motion Picture Reviews
now with the police, with an undercurrent of humor that relieves any incident which might become sombre.
Adolescents, 12 to 16 Children, 8 to 12
Sophisticated, Too mature
G-tO
BUSINESS AND PLEASURE » »
Will Rogers, Jetta Goudal, Joel McCrea, Dorothy Peterson. Direction by David Butler. Fox. Reviewed in September from a theatre preview.
This screen play taken from “The Pluto- crat” by Booth Tarkington has a fantastic plot that is wholesome in general but descends to melodrama towards the end. Throughout an ocean voyage and a sojourn in the vicinity of Port Said, Will Rogers as a razor-blade magnate is kept in continual difficulty by a too conventional daughter, a jealous wife and a scheming adventuress. There is not so much riotous humor as one usually expects from Will Rogers, but there is plenty of opportunity for his usual sly by-play and shrewd observations. The film is one which should appeal to family audiences. Adolescents, 12 to 16 Children, 8 to 12
Good Mature
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THE BEAST OF THE CITY » »
Walter Huston, Jean Hersholt, Tully Marshall, Jean Harlow, Wallace Ford. Direction bv Charles Brabin. M.G.M.
This picture was reported in the December bulletin under the title “City Sentinals.” It is a very strong drama picturing a splendid and successful fight against the ramifications of oraginzed crime in a great city. It is hon- estly portrayed, without sentimentality or ex- aggeration, is stirring emotionally, and eulo- gizes the honest and sincere efforts of the police force. The acting is exceptionally fine, notably Walter Huston. Adults and older adolescents will find it thrilling entertainment with stimulating moral reactions.
Adolescents, 12 to 16 Children, 8 to 12
Very exciting No. Too harrowing
C'KS
CHARLIE CHAN'S CHANCE » »
Warner Oland, Alexander Kirkland, H. B. Warner, Linda Watkins, Marion Nixon, James Kirkwood. Direction by G. Blystone. Fox.
Charlie Chan, the Chinese detective of Earl Derr Biggers’ stories, moves again with or- iental good humor and wisdom through this latest mystery film, “Charlie Chan’s Chance.” Mr. Chan selects New York this time for his sleuthing. He and Inspector Fyfe of Scot-
land Yard volunteer their services to assist in solving a mystery murder. A Scotland Yard detective is found dead, just as he is on the point of establishing his facts in a murder case. Genially scattering proverbs as he goes, Chan helps expose the crime. Most devotees of this form of drama will enjoy it thoroughly.
Adolescents, 12 to 16 Children, 8 to 12
Good Too mature
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CHEATERS AT PLAY » »
Tom Meighan, Charlotte Greenwood, William Bakewell. Direction by Hamil- ton MacFadden. Fox.
A poor and misleading title covers an inter- esting play concerning the reformed Lone Wolf’s atempt to withold his son from a life of crime. The action takes place on ship- board. Much of the picture is done in an entertaining manner by proficient actors, and comic relief is furnished by Charlotte Green- wood. There is howerever an artificiality in the treatment which leaves one skeptical of the final outcome. For younger people the thrill of the crook’s life might easily outwreigh the more obvious plea for honesty. Adolescents, 12 to 16 Children, 8 to 12
Questionable No
C'KS
DISORDERLY CONDUCT » »
Spencer Tracy, Sally Eilers, El Brendel. Direction by John Considine, Jr. Fox. Another police gangster drama in which the police are shown to have many oppor- tunities for graft, although Honest Dan and his methods come out best in the long run. Sally Eilers has a headstrong role as the daughter of the very wealthv gang leader, whose policy is to break the law but not to fight it. The audience has no sympathy either with the reckless young woman or with gangster methods. There are several cli- maxes at the end of the film any one of which might be the close. A small boy makes the drama intense and tear provoking, and also supplies much of the humor. Adolescents, !2 to 16 Children, 8 to 12
Not recommended Too Strong
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THE EXPERT » »
Chic Sale, Dickie Moore, Lois Wilson, Earle Foxe. Adapted from Edna Fer- ber’s novel “Old Man Minick.” Direc- tion by Archie Mayo. Warner Brothers. This is the story of an old man who comes to live with his son and daughter-in-law. Full of good intentions he completely upsets the household, but in the end he ev >Ives a
Motion Picture Reviews
Five
solution which we are led to believe pro- vides a happier life for all concerned. Old man Minick is by no means the hilarious sort of role usually expected of Chic Sale. The character is genuinely lovable but pa- thetic, and Mr. Sale plays it splendidly and with fine understanding. It holds real inter- est for adults, but the theme and characters will probably have little meaning for youth- ful audiences.
Adolescents, 12 to 16 Children, 8 to 12
Little interest Little interest
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GAY CABALLERO » »
George O’Brien, Victor McLaglen, Con- chita Montenegro, Linda Watkins. From the novel by Tom Gill. Direction by Alfred Werker. Fox.
In this vigorous, swift-moving story of the Mexican border an American impersonates a bandit in order to champion the cause of op- pressed peons. Atmosphere is heightened by a fiesta and good desert effects. There is so much action and it is sometimes difficult to follow, but it is the kind of adventure pic- ture that juniors enjoy as well as many grown-ups.
Adolescents, 12 to 16 Children, 8 to 12
Yes Very exciting
C'KS
THE HATCHET MAN (Honorable Mr. Wong)
Edward G. Robinson, Loretta Young. Direction by William Wellman. Warner Brothers-First National.
This is a picture with such intensity of theme that it can hardly be classed as entertainment. Like other stories dealing with oriental traditions, it is grimly solemn and leads inevitably towards tragedy. The first scene is laid in San Francisco’s China- town as it was some twenty years ago. Mr. Wong, Honorable Hatchet Man, is called up- on to avenge the murder of a member of his Tong. Then follows a terrific emotional con- flict between loyalties, which is the keynote of the entire plot. Mr. Robinson achieves a no- table triumph in the power and restraint of his acting. He seems to be truly oriental not only in appearance but in spirit. Fidelity to detail in costume and setting emphasizes all the more the inability of others of the cast to put themselves into character. It is this in- adequacy together with a too sensational plot, that keeps the picture from being more wor- thy of Mr. Robinson’s capabilities. However it is out of the ordinary, and the story is coherent and well developed.
Adolescents, 12 to 16 Children, 8 to 12
Unsuitable theme No
HIGH PRESSURE » »
William Powell, Evelyn Brent, Evalyn Knapp, Frank McHugh. Direction by Mervyn LeRoy. Warner Brothers.
William Powell departs from his usual form and presents a different characterization in that of a breezy, adventurous, romantic promoter whose activities are hazardous at times. The story is amusing and full of action, with good dialogue and is well acted, providing pleasant relaxation.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Probably of little interest
C'f-O
INTIMATE » »
Fredric March, Kay Frances. From “The Storm Lamb” by William J. Locke. Direction by Loctar Mendes. Paramount- Publix.
Do not let the title scare you away because “Intimate” is actually a wholesome, amusing farce with which the family may pass a pleasant hour. The picture is entertaining chiefly because of the presence of Fredric March, Kay Francis, and Stuart Erwin, but the dialogue is also satisfactory and the humorous situations are skillfully handled. It is a story of mistaken identities, where one twin steps into his brother’s place to the satisfaction of all.
Adolescents, 12 to 16 Children, 8 to 12
Good Harmless
C'KD
THE LADY WITH A PAST » »
Constance Bennett, David Manners, Ben Lyon. Direction by Griffith. R.K.O.- Pathe.
“The Lady With a Past,” actually a mis- nomer for the girl in question, proves to be a smart, amusing and sophisticated comedy, a take off on the younger set, their psychol- ogy, search for excitement, and decidedly unpuritanical reactions. A latchkey offered by a notorious woman to the heroine’s “light o’ love” is the causa causans which influences her to seek a past of her own. Ben Lyon is delightful as the gigolo who assists her to win a reputation, and Constance Bennett shows a real flair for comedy which has been overlooked in casting her in dramatic roles. It is light, clever, entertaining, but not presenting life truthfully or with any empha- sis on the accepted moralities. It is recom- mended for “grown-ups” only.
Adolescents, 12 to 16 Children, 8 to 12
No No
Six
Motion Picture Reviews
LAW AND ORDER » »
Walter Huston, Harry Carey. Direction by Edward Kahn. Universal Pictures Corp.
Reviewing Westerns is becoming a game like current stamp collecting, every week a new issue. However, “Law and Order” is decidedly above the average. It is an au- thentic cross section of early days in Tomb- stone, Arizona, a typical pioneering town with its corner saloons, hitching posts and false facades on frame buildings. Terroriz- ed by a maurauding element, the people per- suade a United States marshal, who is famous for his courageous enforcement of the law to take command and organize a safe commun- ity for them. He succeeds here as elsewhere because his methods are just and are backed by the steady aim of his six shooters. His- torical incidents from the life of Wyatt Earpe, well-known peace officer of his day, form the basis of the plot. The prologue is somewhat too long and the comedy relief grotesque, but an excellent cast creates and maintains the illusion of that period. It is a good family picture although exciting for young children.
Adolescents, 12 to 16 Children, 8 to 12
Good Very exciting
eW
LAW OF THE SEA » »
William Farnum, Rex Bell, Sally Blane, Priscilla Dean. Direction by Otto Brauer. Chadwick Production for Mono- gram Pictures Release.
This exaggerated and unwholesome melo- drama has one redeeming feature, splendid sea photography. But even this cannot com- pensate for improbable situations handled with obvious brutality, exemplifying the ethi- cal standard of the Old Testament, “an eve for an eye.” Perhaps the excitement engen- dered by fierce and prolonged fighting may satisfy a primitive urge in some natures, but the average person will miss nothing by keeping the children at home and staying with them !
Adolescents, 12 to 16 Children, 8 to 12
No No
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THE LOCAL BAD MAN » »
Hoot Gibson, Sally Blane. Adapted from the story “All For Love” by Peter B. Kyne. Direction by Otto Brown. Al- lied Pictures Corporation.
As an antidote for oversophistication the breezy vigor of the wide open spaces of a good old western melodrama is not to be overlooked. True, we recognize the familiar trend of the villainous plot against our brave
hero but the horsemanship excels as usual, the chase is as stirring and the romantic in- terest as charming. Juniors will find it quite satisfying.
Adolescents, 12 to 16 Children, 8 to 12
A matter of taste Harmless
LOVERS COURAGEOUS » »
Robert Montgomery, Madge Evans, Ro- land Young. Direction by Robert Z. Leonard. M.G.M.
A simple and not unusual story is lifted to a plane above the average by good char- acterizations and clever lines. An adven- turous young Englishman wanders about the world seeking his fortune and eventually falls in love with the daughter of an admiral. When her father very logically objects to the match, Willie and Mary find their path be- set with difficulties. Concerning two normal, attractive young people, it is a pleasing change from the jazz pictures, and can be recommended for a family audience. Adolescents, 12 to 16 Children, 8 to 12
Yes Not sufficient interest
THE MAN I KILLED » »
Phillips Holmes, Nancy Carroll, Louise Carter, Zazu Pitts, Lionel Barrymore, Tom Douglas. From the play by Mau- rice Rostand. Direction by Ernest Lub- itsch. Pararnount-Publix.
This picture portrays not the brutalities of actual combat but the pathological stress of post war conditions. It is a remarkable plea for international understanding and the aboli- tion of war. The plot depicts a young Frenchman, who is haunted by the perpetual recollection of killing a German lad. Unable to find spiritual relief, he decides his only hope rests in gaining the forgiveness of the boy’s parents. Such a stirring vehicle chal- lenges Lubitsch’s skill. He misses no telling opportunities to symbolize the irony and hypocrisy surrounding wars, and altogether produces a beautifully eloquent and very human drama. To Lionel Barrymore goes the most outstanding dramatic scene. He and Lubitsch bring out superbly the pathos of this moment . Here Barrymore’s closing line strikes the keynote of Rostand’s belief, “Good- bye old men, nurse your hates if you wish, I’m with the young who know how to for- give.” Do not miss this picture.
Adolescents, 12 to 16 Children, 8 to 12
Very sad and mature No
Psychology beyond them
Motion Picture Reviews
Seven
THE MAN WHO PLAYED GOD » »
George Arliss, Violet Hemming, Ivan Simpson. Direction by John Adolphi. Warner Brothers-First National.
There is a distinct lesson in this film which, however, does hot spoil its entertainment value. When a family heritage of deafness descends upon a great concert pianist, he accepts his fate with bitterness and cynicism, repudiating God for robbing him of his music. Lip-reading brings him back to the world but his bitterness continues for he can- not reconcile the idea of a loving God who creates great beauty with the same God who destroys it. The way in which he finally achieves happiness makes an appealing story. This picture cannot be classified as a great production yet it is outstanding due to Mr. Arliss’ finesse in acting and Mr. Adolphi’s restraint in direction. The theme is simple, direct and wholesome and is highly recom- mended for the family.
Adolescents, 12 to 16 Children, 8 to 12
Good No interest
NECK AND NECK » »
Glen Tryon, Vera Reynolds, Carol Nye. Direction by Richard Thorpe. Sona-art World Wide production. Educational Films. Seen in preview.
A “fourflusher” selling aluminum ware from door to door, goes about bragging and boasting of his accomplishments until he be- comes entangled in the consequences of the tales that he tells. Horse racing plays a prominent part. The plot is tiresome on the whole, but several scenes, chief of which is an interesting poker game, have elements of entertainment.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended Not recommended
c-+o
NO ONE MAN » »
Carole Lombard, Ricardo Cortez, Paul Lukas. Direction by Lloyd Corrigan. Paramount-Publix.
This film presents the predicament of a girl endeavoring to find the right husband among the idle rich at Palm Beach and points north. Again we have a society drama with all the trappings of fine backgrounds, clever photography, smart dialogue, luxurious cos- tumes and dramatic appeal. The morality' is not sound, in that short term marriages are considered one of the natural concomit- ants of present day life, but situations are
handled with a due amount of delicacy', and the play will probably be acceptable to a sophisticated audience.
Adolescents, 12 to 16 Children, 8 to 12
No No interest
Presents wrong point of view
C'KS
POLLY OF THE CIRCUS » »
Marion Davies, Clark Gable. Direction by Alfred Santell. M.G.M. (Seen in preview.)
‘‘Polly of The Circus,” the story of a charming and appealing performer in a cir- cus who finds herself unceremoniously thrust under the care and protection of a minister, proves as entertaining in motion pictures as on the stage. The conflict of standards as represented by the circus and the church forms the basis for this swiftly moving melo- drama. Miss Davies does creditable work as a trapese performer, giving the audience a fair quota of thrills. Clark Gable as an Episcopal minister is convincing and sincere. The divergent attitudes are fairly presented and at no time are there any offensive situa- tions. The circus background affords humor- ous bits which children may enjoy. Love and sacrifice supply the pathos which makes this drama intensive for adults and a bit mature for young folk.
Adolescents, 12 to 16 Children, 8 to 12
Passable Little interest
PRESTIGE » »
Ann Harding, Adolphe Menjou, Melvvn Douglas. Direction by Tay Garnett. R.K.O.-Pathe.
Even the charm of Ann Harding does not mitigate the cruel realism of this morbid story. It pictures the demoralizing influence of tropical climate and an uncongenial ap- pointment upon a young army' officer who is stationed in Indo-China in charge of the French penal colony'. His wife strives loyally' to help him keep his morale under terrible conditions. While it undoubtedly' presents a significant problem its appeal to American audiences is not apparent. The depressing surroundings, the cruel conditions within the prison and the general horror of such a mili- tary appointment are problems which we can- not solve. As propaganda it leaves us help- less and certainly it does not entertain al- though the production is interesting techni- cally.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended Certainly not!
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Motion Picture Reviews
THE SECRET WITNESS » »
Una Markel, Zazu Pitts, William Col- lier, Jr. Direction by Thorton Freeland. Columbia.
A penthouse is the scene of a murder mys- tery in which there are numerous suspects with opportunities to have committed the crime, among whom is a pet ape. Una Mer- kel, as a self-appointed “Miss Sherlock Holmes” reveals the clever criminal when the police are about to make a cumbersome error. The love element is present but sec- ondary in the unfolding of the mystery. Zazu Pitts as a telephone operator provides many laughter provoking snatches. It is above the average of its type.
Adolescents, 12 to 16 Children, 8 to 12
Probably good Doubtful ;
rather exciting
SHANGHAI EXPRESS » »
Marlene Dietrich, Lawrence Grant, Warner Oland, Clive Brook, Anna May Wong. Direction by Josef von Sternberg. Paramount-Publix.
The most impressive atribute of this ex- cellent photo play is its perfect photography. The camera seems to have caught everything as it would have been seen by a participant in the drama, thus creating such an extra- ordinary atmosphere of reality that one lives in the picture. The story itself concerns what happens to a motley group travelling on the Shanghai Express from Peking to Shanghai during one of the frequent revolutionary up- risings. Marlene Dietrich is the “Shanghai Lily”, exotic lady whose name is a by-word among men. The rather melodramatic events of the journey hinge upon her personality, and the other characters all are influenced in one way or another by her presence on the train. The cast is ideally chosen to represent the necessary types. Humor, pathos and thrills abound. Marlene Dietrich’s beauty casts a spell that makes the fantastic plot credible, and the realism of each small detail convinces the beholder that he actually is in China. It is an eminently satisfying entertainment for any audience to whom the “Shanghai Lily” is acceptable as a heroine.
Adolescents, 12 to 16 Children, 8 to 12
Too sophisticated No
THE SILENT WITNESS » »
Lionel Atwill, Bramwell Fletcher, Greta Nissen. Direction by Marcel Varnel, R. L. Hough. Fox.
A vivid and stirring mystery story holding interest at high pitch until the unexpected
climax. The directors have shown ingen- uity and skill in developing the action, using discretion in the detail necessary to motivate the murder, in the suspense and tempo of the dramatic court room scene lightened by the delightfully comic humor of one witness, and in the method of portraying the solution. The cast is excellent. It will undoubtedly appeal to lovers of distinctive fiction and to older adolescents.
Adolescents, 12 to 16 Children, 8 to 12
Doubtful Better not
C'KO
SKY DEVILS » »
Spencer Tracy, William Boyd. Direc- tion by Edward Sutherland. Howard Hughes Production.
“Sky Devils” resembles in general design other and earlier war pictures, since the very thin plot concerns the adventures of three soldiers in war-time France, with the attend- ant scenes showing aviators in action. LTn- like its predecessors its humor is generally wholesome, but the director apparently did not have the courage of his convictions if he wanted to make it entirely so, for he intro- duced several blatant vulgarities that do much to offset the good points of the picture and overshadow the commendable scenes. Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
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TAXI » »
James Cagney, Loretta Young. Direc- tion by Roy Del Ruth. Warner Bros.
James Cagney has a very engaging per- sonality and real ability which seems doomed to be veiled in the shadows of the under- world. He is again cast as a gangster ever ready with his fists or with his gun. This time it is a taxi cab racket where life is valu- ed very lightly and punishment is left to the revengeful discretion of the rival companies. Direction is capital, and it may prove enter- taining to those who are still interested in gangster pictures . We do not recommend it to youthful audiences because its moral val- ues are rather too indefinite.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
c+*s>
TOMORROW AND TOMORROW » »
Ruth Chatterton, Paul Lukas, Robert Ames. Direction by Richard Wallace. Based on the play by Philip Barry. Paramount-Publix.
Excellent acting makes this picture an achievement in entertainment of the more serious type of problem play. The treatment
Motion Picture Reviews
Nine
of the theme for the most part is phychologi- cal, making unconventional situations suffi- ciently objective and delicate not to be of- fensive. Ruth Chatterton as the childless wife, longing for maternal experience ; Robert Ames as a devoted but matter-of-fact hus- band; and Paul Lukas as a charming and famous psychologist, all give excellent char- acter portrayals. It is an impressive drama of its kind.
Adolescents, 12 to 16 Children, 8 to 12
No Incomprehensible
G-+S)
UNION DEPOT » »
Douglas Fairbanks, Jr., Joan Blondell.
Direction by Alfred E. Green. First
National.
Douglas Fairbanks, Jr. is cast in the role of a light-fingered hobo with gentlemanly manners who, having just left jail with his pal, is first seen in quest of food and clothes at the expense of the public. After a series of encounters with the police, lightning changes into other people’s clothing and a wild chase, he rescues a lady in distress and the picture ends leaving him and his pal just where they started. Practically the whole of the action takes place in a depot and occupies only the space of one evening’s time. A realistic background is formed by moving throngs coming and going through the station, types such as one sees always in
such places, and the suggestion of possible drama flits here and there among the hetero- geneous groups. It is entertaining and ex- citing, though not to be taken seriously since young Fairbanks is never convincing as the hobo. The complicated action is somewhat confusing and the picture is not sufficiently impressive to leave a lasting memory. One wishes certain crudities had been omitted. Adolescents, 12 to 16 Children, 8 to 12
Not recommended for its ethics No
G'KS
ZANE GREY'S SOUTH SEA ADVENTURES
Photographed by Romer Grey, Bob Car- ney, Thomas B. Middleton. Description written by Tom Geraghty. Produced by Sol Lesser.
Fishermen’s paradise, and a fish tale which never would have been believed without the accompanying pictures as proof of Mr. Grey’s skill ! There is real interest for “land lub- bers” in this film portraying Mr. Grey’s ad- ventures searching the South Seas for rare and sporty fish and the editing has been skill- fully done to maintain interest throughout. The equipment is shown and there are excel- lent shots giving final catches which will prove very satisfying, especially to those who love this sport.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Good
SHORT SUBJECTS
*
ANYBODY'S GOAT » »
Educational Pictures, Inc.
Three crooks try to procure the money of a country girl with an elaborate story about a goat which has swallowed a purse. More slap-stick; harmless but not very entertain- ing.
THE DUCK HUNT » »
Mickey Mouse Cartoon. Columbia Pic- tures, Inc.
Mickey Mouse goes duck hunting with his hound. They are both outwitted by the wary birds. Extremely good fun. Recommended for the family.
DUCKS AND DRAKES » »
Grantland Rice Sportlight. R. K. O.-
Pathe.
An explanation of the method of using de- coys in duck hunting, with beautiful shots of birds in flight. It is of special interest to sportsmen. A family picture.
C'KS
KEEP LAUGHING » »
Educational Pictures.
The proprietress of a night club finds diffi- culty in revealing the best points of her busi- ness to a prospective buyer. Plenty of slap- stick for those who like it and some good acrobatic dancing. Fair entertainment.
Ten
Motion Picture Reviews
LAND OF GHANDI » »
Vagabond Adventure.
This travelogue seems to eschew prevail- ing Cook’s Tours and really scratch below the surface of Indian life. The domestic and industrial scenes smack of reality and the at- mosphere created is convincing. Recommend- ed for the family.
o-s
THE LAST DANCE » »
In this Aesop Fable, good music and a splendid voice is wasted on a mediocre car- toon. It is a story of a cat courting his lady love and luring her away from a dance by his serenade. Recommended for adolescents and children.
0-3
TALKING PICTURES EPICS (Six Short Travelogues)
"Mexico Today" 8 »
Emma Lindsey Squier.
An introduction to the physical beauty and rich tradition of Mexico. This is the first of a series on this country. It is excellent.
"City of Faith" » 8
Elmer Clifton.
This two reel travelogue of a visit to the Holy Land into which Biblical history is in- troduced is most unusual. Its reverent and authentic character will be appreciated by all.
"Boston Common" 8 8
One of a series of “Great American Cities” in which historical landmarks are beautifuly photographed and the fascinating charm of the city is caught. Very interesting, and es- pecially recommended to children studying American History.
"Found in Morocco" 8 8
A “wanderlust” picture.
It has a superficial beauty but lacks the freshness and originality of the other films in this group.
"Toney Wong's Scrap Book" 8 8
Tony Wong of radio fame reads poems which are illustrated on the screen by charm- ing photographic studies.
"Happy Hunting Grounds" 8 8
Ward Laselle.
Studies of wild animal life in Oregon. Children will delight, especially in the epi- sode of the bear cubs.
0-4-3
TORCHY TOO TOOTS » 8
Ray Cooke, Dorothy Dix, Franklin Pang- born, Edmund Breese. Educational Pic- tures, Inc.
This is a harmless but rather dull Torchy episode in which Torchy saves his boss from another embarassing situation. His antics will probably amuse young people.
GS-S
TOY TOWN » »
Aesop Fable. R.K.O.-Pathe.
An original and delightful cartoon in which mice visit a toy shop and meet with entertaining adventures. Excellent for all, with real charm for children.
0-4-3
UNCROWNED CHAMPIONS » »
Grantland Rice Sportlight.
Four expert sportsmen demonstrate their skill. One in fly casting, another in pistol shooting, a third at bowling, and a fourth in calling moose in the great Northwest. Such exhibitions of skill are both educational and diverting. Recommended for the family.
MOTION
PICTURE
REVIEWS
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
MARCH 1932
THE WOMEN’S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY. TWO WOMEN S UNIVERSITY CLUB
WEBBCR AFT PRINTERS, 1S5I ARLINGTON AVE
LOS ANGELES
Motion Picture Reviews
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Vol. Ill |
MARCH, 1932 |
No. 3 |
EDITORIAL
Will Hays, on a recent trip to Hollywood, gave out the following statement to the press:
“America’s motion-picture fans have gone high-brow —
“Pictures of a dramatic and intellectual caliber, which would not have been successful popular entertainment a few years ago, are now being received with enthusiastic ap- proval.
“Group leadership has aided in shaping community taste toward higher levels of entertainment.”
This moulding of public opinion in favor of good pictures has been the objective of organized women’s groups over a period of some ten years. This is the first public acknowledgment which we recall, that the motion picture industry feels any result from their concentrated effort.
Up to the time of Mrs. Winter’s arrival at the Hollywood offices of the Association of Motion Picture Producers and Distributors and the opening of facilities for previewing at the Academy of Motion Picture Arts and Sciences, the efforts of club women were ap- parently frowned upon, certainly they were
not encouraged, except by a few neighbor- hood exhibitors who believed in the value of good will by giving attention to the women’s requests for family programs and junior matinees. There was a general opinion, not only in the industry but often among the laity, that these women’s groups wished to con- trol, or to censor films. Quite generally ex- hibitors felt that announced approval of a picture “damned” it for the public. They be- lieved that approval would be given only pictures which were down to a child’s level of appreciation and that consequently only the sweet, banal or trite would come under a recommended classification. It was also generally believed that condemnation by women reviewers would send the public flocking to pictures, in the hope of finding sophistication. It is interesting to realize the changed attitude. At a recent gathering of women and exhibitors in Los Angeles, a num- ber of managers announced that, with a few exceptions, the money makers in their houses were those films most heartily recommended by the previewing groups.
It may be interesting to those who are not
Four
Motion Picture Reviews
familiar with the history of the work of “better films” committees, to know something of the development of previewing.
In the early days one “went to the movies.” Few questioned the type of films to which they went, and few doubted the suitability of all films for the children. The family went to the nearest theatre, the chil- dren were given an extra dime on Saturday afternoon, and the sophisticates clung to the traditions of the stage and remained away from the movies.
The writer recently saw a revival of early silent films which seemed to explain this early indifference on the part of parents to chil- dren’s attendance. The exaggerated melo- dramatic action of these thrillers, one featur- ing Blanch Sweet and the other Harry Carey, was so far from realism that no one could connect it with actuality. A child possibly carried home a remembrance only of swift action, superhuman strength, and punishment for evil, all as far from reality as the usual beloved fairy tales.
But as technique improved a more critical attitude grew and mothers began to have a realization of the power of visual education. They realized that pictures made for adult audiences, and suitable for mature apprecia- tion were frequently confusing and sometimes actually dangerous to unoriented youth. Groups grew naturally which presented re- quests for children’s matinees to neighbor- hood theatre managers. These men were often willing to cooperate with the women, but buying their pictures in blocks, often be- fore the films were actually made, seeing only the titles or the advance notices of the type of film, and this information purely a publicity man’s idea for adult advertising, they had no idea of what the picture would mean to children’s audiences. They asked for suggestions for booking. The women found themselves at a loss to comply. And thus the “previewing” began. Women went to the first run down town theatres to give their opinion of the films’ suitability for matinees. These audiences were composed usually of children from 2 to 12 years old. It was a difficult problem, but the women finally had
to place an average nine-year-old interpreta- tion as the standard for their evaluation, realizing that children under this age had actually no business at any performance.
The value of public opinion was realized by a large chain of theatres in California, now known as the Fox-West Coast, which placed Miss Regge Doran as director of the Public Relations Department. A charming, intelligent college woman, she enthusiastic- ally helped to build up this cooperation be- tween theatres and the public and when she left her place was taken by Miss Ryllis Hem- ington, a former theatre owner, whose accu- rate and keen knowledge of the exhibiting business, and sympathetic understanding of the women’s view point further cemented the bond between the two groups.
The previewing continued through the courtesy of these theatres and the distributing agencies, but it was not entirely practical for the exhibitors because the reports came in too late to be of assistance in booking and many pictures of real family appeal were un- intentionally lost for week end performances when, if information had been available, they might have replaced a picture of interest only to adult or uncritical groups. Managers run- ning junior matinees were forced to buy sub- stitute films for Saturday afternoons which did not appeal as much to children or, more important still, gave them the unfortunate impression that the club women were “cen- soring” their shows, nothing being more ob- jectionable to children or youth! Also the reviews were helpful only locally. They were useless in commgnities even close to Los Angeles because of difference in booking dates.
In spite of handicaps and severe disap- pointments the women persevered. The work begun under the auspices of the Los Angeles District, California Federation of Women’s Clubs, grew to include the Daughters of American Revolution, Parent-Teachers Asso- ciation, University women, and many other local groups. In six years the interest throughout California and other states, not- ably Georgia and New York, developed until the advent of sound in motion pictures created a real crisis.
Motion Picture Reviews
Five
The entire character of motion picture en- tertainment changed with the addition of sound, both in subject matter and in tech- nique. Children’s attendance became an immediate and distressing problem to parents who feared the greater sophistication of dia- logue and the increased realism of the action, and also, after the first curiosity had been satisfied, the public generally became more selective and women’s groups, known to be “previewing” or reviewing films were be- seiged for information on current releases, not only for children’s recreation, but also to aid adults in finding entertainment to suit their own tastes. It was the beginning of the reaction hoped for by women’s groups which had for years suggested discriminat- ing attendance — or “talking through the box office.”
Then in the spring of 1929 the Association
of Motion Producers first recognized the work of the women’s groups by arranging pre- views for them at the Academy, and in Sep- tember of that year appointed Mrs. Thomas G. Winter to be the representative or official go-between for women’s clubs and the indus- try. We shall outline in the April “Reviews” the method of previewing and the important part which Mrs. Winter has played in any accomplishment which the women have achieved.
C^v9
CORRECTION
The editors wish to call attention to the following correction of a typographical error that appeared in the February “Reviews.” “Arsene Lupin” was characterized as “im- moral.” The word intended was “unmoral” and of course carries a very different con- notation.
FEATURE FILMS
C-K9
ALIAS THE DOCTOR « «
Richard Barthelmess, Marion Marsh. Direction by Michael Curtiz. Adapted from Emric Foeldes’ Hungarian Play. Warner Brothers First National.
A dramatic and interesting plot, finished acting and unusually competent direction are combined in a photoplay of superior enter- tainment value. The story is of a young medical student who sacrifices his future in an effort to save his brother. As the plot un- folds there are many tense and stirring situa- tions. The atmosphere is very real and true to medical procedure. Richard Barthelmess in the leading role will enlist the sympathy and admiration of the audience. Adolescents, 1 2 to 16 Children, 8 to 1 2
Interesting Beyond their
understanding
BROKEN LULLABY « «
Phillips Holmes, Nancy Carroll, Louise
Carter, Zazu Pitts, Lionel Barrymore, Tom Douglas. From the play by Maurice Rostand. Direction by Ernest Lubitsch. Paramount-Publix.
Reviewed in February, 1932, under the title of “The Man I Killed.”
CARNIVAL BOAT « «
Bill Boyd, Ginger Rogers, Hobart Bos- worth. Direction by A1 Rogel. R.K.O.
The boss of a lumber camp affectionately hopes that his likable son will inherit his job. A Carnival Boat drifts into the scene and a little dancer brings a crisis in their lives. But the simple, unimportant story fades into the background as interest centers in the activities and thrilling experiences of log cutters amid unusually beautiful natural scenery of tim- bered mountains. The picture will appeal to family audiences as a wholesome outdoor story.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Good Exciting
g^s>
FIREMAN SAVE MY CHILD « «
Joe E. Brown, Evalyn Knapp, Lilian Bond, Dickie Moore, Guy Kibbee. Direc- tion by Lloyd Bacon. First National.
Joe E. Brown, with his naive egotism and his funny grimaces, is the whole show in this rollicking farce depicting the fortunes of a baseball player. There is nothing extraordi- nary about the picture, but it is full of genu- ine humor and will appeal especially to base- ball fans old and young. The irrelevant title
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Motion Picture Reviews
will mislead only those who have not yet learned to expect the unexpected from Joe E. Brown.
Adolescent's, 1 2 to 16 Children, 8 to 1 2
Good Harmless fun
cW
FORBIDDEN « «
Barbara Stanwyck, Adolph Menjou, Ralph Bellamy. Direction by Frank Capra. Columbia.
This picture tries pitifully to run the whole gamut of human emotions in a rather vain attempt to prove the truth of the old familiar maxim: “Sin doesn’t pay.” Lulu, a library worker, seeks romance, finds it in Robert Grover, clings to it in spite of the fact that he is married and apparently in love with his wife. Her decisions to be noble come at un- expected moments when her nobility will hurt everyone but herself. In spite of the good cast the picture is neither healthy nor in- teresting.
Adolescents, 1 2 to 1 6 Children, 8 to 1 2
No No interest
C'-KS
FREAKS « «
Olga Baclanova, Wallace Ford, Leila Hyams, Rosco Ates, and the world’s most famous freaks. Direction by Tod Browning. M.G.M.
In this unpleasant melodrama a midget falls in love and marries a beautiful trapeze artist. Her scheme to kill him is frustrated, and the revenge perpetrated by his fellow freaks is a horrible spectacle. Physical ab- normalities are exploited in a revolting man- ner, and unnatural relationships are sug- gested. It is thoroughly unsavory and offensive to good taste in subject matter and portrayal. The producer in attempting to create a still more extravagant thriller has run amuck and succeeded only in pandering to morbid curiosity.
Adolescents, 1 2 to 1 6 Children, 8 to 1 2
No Absolutely not
HOTEL CONTINENTAL « «
Peggy Shannon, Theodor Von Eltz. Direction by Christy Cabanne. Tiffany. The Hotel Continental, for fifty years a city’s gilded rendezvous, is to be torn down. On this last night of its hospitality, a strange assortment of guests fill it to capacity, and a stranger mystery permeates the atmos- phere. While it is not an outstanding picture,
the unravelling of the secret provides pleas- ant recreation for adults and older ado- lescents.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Passable Mature
C'KO
IMPATIENT MAIDEN « «
John Halliday, Mae Clarke, Lew Ayres, Una Merkel, Andy Devine. Direction by James Whale. Universal.
The doctor is now emerging as our latest type of film hero, and if you take your opera- tions seriously you may enjoy a rather real- istic close up of the heroine’s appendectomy. One follows the many and divergent calls on an interne’s time, sometimes tragic, some- times amusing, and strives to sympathize with his sweetheart who, while apparently very worldly wise, shows surprising naivete in her relationship with her employer. The story is shallow, and the general tone is de- pressing rather than entertaining for the average spectator.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Unsuitable No
LOST SQUADRON « «
Richard Dix, Robert Armstrong, Joel McCrea, Mary Astor, Erich Von Stro- heim, Dorothy Jordan. Direction by George Archainbaud. R.K.O. -Radio.
Seeing this film, the audience has the novel sensation of watching, over a director’s shoulder, the making of another film. The plot revolves around three aviators, the last of their flying squadron in France. Holly- wood is the eventual setting where we find these men exhibiting their skill for the cam- era and taking fearful risks in order to pro- duce sensational shots. Jealousy on the part of a relentless director sends one aviator to destruction; loyalty kills a second. The cast is adequate, but aside from the extremely violent action, the hair-raising stunts and spectacular crashes, “Lost Squadron” is just another aviation “movie.” It is too exciting for children, and even if this objection is considered negligible, a murder and the dis- posal of a dead body make it exceedingly harrowing.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Passable No
cto
MAKER OF MEN « «
Jack Holt, Richard Cromwell. Direction by Edward Sedgwick. Columbia Pictures.
Jack Holt as “Uncle Dudley” is a college
Motion Picture Reviews
Seven
football coach who tries to make a real player of his weak and rather “yellow” son. Two games are shown, which will please football enthusiasts, and the whole theme is a lesson in good sportsmanship. Thanks to Jack Holt and good continuity the picture is interesting entertainment of its kind.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Good Good
cto
MICHAEL AND MARY « «
Edna Best, Herbert Marshall, Frank Lawton. Direction by Victor Saville. Gainsborough Productions of England — U. S. Distributors. Universal Pictures Corp. From a play by A. A. Milne.
A genuine love story is fraught with that combination of delicacy, whimsy, pathos and understanding which distinguishes Milne as a playwright. The director has sensed the qualities of the original to the full, and the adaptation to the screen is unusually true. The English cast makes the most of the good dialogue; the acting is admirable. It is the story of two inherently fine people who over- step the rigid English divorce laws, and who, in spite of the circumstances which made this decision wholly justifiable, are ultimately faced with the prospect of suffering and dis- honor. As an adult picture it ranks high, and it is appropriate for well-balanced juniors because of its excellent attitude toward love and home life.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Yes No interest
c+s
NICE WOMEN « «
Frances Dee, Sydney Fox, Russell Glea- son, Lucile Gleason. Direction by Edwin H. Knopf. Universal.
The unconventional behavior on the part of most of the characters of this social drama pigeonholes it as a border line play. It is not blatantly vulgar, but the well worn theme of youth about to be sacrificed to an old roue in order to provide financial relief for a family with champagne tastes and insufficient income, certainly has a poor moral tone. Al- though the plot is decidedly weak, elements of entertainment are maintained by the re- freshing characterization of the cast. Miss Dee is convincing as a “nice woman” and gives a sincere performance in her sacrifice to her family, while Miss Fox is irresistible in her wickedness. Several sequences are interpolated which have no value as plot
advancement and have decided destructive moral influence.
Adolescents, 1 2 to 1 6 Children, 8 to 1 2
No No
c-to
ONE HOUR WITH YOU « «
Maurice Chevalier, Jeannette MacDon- ald, Roland Young, Genevieve Tobin, Charles Ruggles. Direction by Ernest Lubitsch. Paramount.
A young French doctor and his wife, hav- ing been married three years, are still ro- mantically in love when the wife’s best friend arrives and makes a dead set for the doc- tor. There are the usual suave scenes, exquisitely staged, that we have learned to expect in a Chevalier-Lubitsch comedy. It is all done with a very light satirical touch and a musical comedy atmosphere, and those to whom the inuendos are apparent should not be shocked. Though the Straus music is a subordinate part, the songs are enter- taining and very well sung by Chevalier and Jeannette MacDonald. The badge of honor really goes to Lubitsch for the per- fection of detail and deft touches that dis- tinguish his pictures from all others. Adolescents, 1 2 to 16 Children, 8 to 1 2
No No
THE PASSIONATE PLUMBER « «
Buster Keaton, James Durante, Irene Purcell, Gilbert Roland, Polly Moran. Direction by Edward Sedgwick. From the play “Her Cardboard Lover.” M.G.M.
“Her Cardboard Lover,” a light Parisian farce, starring Leslie Howard in the New York production, has had its metamorphosis at Metro-Goldwyn-Mayer and now emerges as “The Passionate Plumber.” In this film version the humor is broadened and coars- ened, and scarcely more than the general outline of the plot is left. Yet with all its vulgarity, its strident slap stick, and entire lack of the nuances which marked the stage play, it is absurdly funny. An American girl wishing to save herself from an infatuation with a French lover employs the first avail- able man, who happens to be her plumber, to keep her out of mischief. The humor is not outstandingly witty nor of the highest type, but no one will take the clowning seriously. Adolescent's, 1 2 to 16 Children, 8 to 1 2
Unsuitable Unsuitable
Eight
Motion Picture Reviews
POLICE COURT « «
Leon Janny, Henry B. Walthall, Aileen Pringle, A1 St. John, King Baggett. Direction by Louis King. Monogram.
The title gives little or no idea of this play which concerns a once famous actor, vitiated by drink, and the devoted son who struggles heroically to lead him back to the world of fame and fortune. It is not entertaining in the lighter sense of the word, but it has fine dramatic values, an unusual vividness and sincerity, which make it a notable picture. Walthall is splendid; Leon Janny does ex- cellent work as the engaging though pathetic “Junior.” The very unpretentiousness with which the story is developed gives it unusual power.
Adolescents, 1 2 to 16 Children, 8 to 1 2
V ery mature theme .. Too depressing
THE SADDLE BUSTER « «
Tom Keene, Robert Frazer, Marie Quillan, Mary Foster. Direction by Fred Allen. R.K.O.-Pathe.
The struggle between a cowboy and the “killer” horse, Wild Fury, constitutes the main part of the story, with love made a subordinate issue. Like many Westerns it is lacking in finesse and uniformity, but chil- dren, adolescents and adults who like this type of picture will be highly entertained by the swift moving plot, the thrilling bronco- busting and scenes of wild horses wandering over the range. The absence of gun-play makes it especially good for children. Adolescent's, 1 2 to 16 Children, 8 to 1 2
Good Very good
SHE WANTED A MILLIONAIRE « «
Joan Bennett, Una Merkel, Spencer Tracy, James Kirkwood. Direction by John Blystone. Fox.
This trivial play about trivial people would be handsomely housed in a nickel- odian — “From Rags to Riches,” or “Money is Not All,” etc. It is the story of a factory girl who wins a beauty contest and marries a millionaire though she has no affection for him. Throughout the film there is a tire- some vulgarity of lavish display, a revolting
suggestion of sadism in the character of the jealous husband, and risque repartee which is sometimes funny, but often only coarse. There are so many better pictures that we do not recommend this.
Adolescents, 1 2 to 16 Children, 8 to 1 2
No No
CKO
STRANCERS IN LOVE « «
Frederic March, Kay Frances. From “The Shorn Lamb” by William J. Locke. Direction Lothar Mendes. Paramount- Publix.
Reviewed in February, 1932, under the title of “Intimate.”
G'+O
TEXAS PIONEERS « «
Bill Cody. Direction by Harry Fraser. Monogram.
A Saturday matinee audience might accept this western melodrama if nothing better were available. Its appeal lies in setting, action, wild Indians and fine horses. But few children will take it seriously and it is doubtful whether they will really enjoy the inferior plot, weak direction and amateurish acting.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Of doubtful interest Harmless morally
WAYWARD « «
Nancy Carroll, Richard Arlen, Pauline Frederic. Based on novel “Wild Beauty,” by Matell Howe Farnham. Direction by Edward Sloman. Paramount. “Wayward” tells the story of two young people of different social strata who struggle to hold their home together in spite of the bitter opposition of a selfishly absorbing mother. The theme had possibilities but the picture fails to be convincing through over- emphasis and exaggeration of character and action. It lacks reality and becomes an extravagant melodrama, clean and whole- some in detail, but without subtlety or special interest.
Adolescents, 1 2 to 16 Children, 8 to 1 2
Hardly edifying No, unsuitable
Motion Picture Reviews
Nine
SHORT SUBJECTS
c+J>
BOB WHITE « «
Grantland Rice Sportlight. R.K.O.- Pathe.
A quail hunting expedition, chiefly inter- esting because of the beauty and expert per- formance of the hunting dogs. Suitable for all audiences.
G'fO
DOOR OF ASIA « «
Vagabond Adventure.
This time the “Vagabond” adventures in the land of rice fields. He discovers the an- cient Chinese methods of manufacturing, building, agriculture and a few of their cus- toms. Recommended for all.
CSvS
THE GROCERY BOY « «
A Mickey Mouse cartoon. Columbia Pic- tures Corp.
Mickey Mouse and his dog deliver gro- ceries to Minnie and remain to help her cook a turkey dinner. There are novel bits such as the rhythmic preparation of the food. One of the best of these amusing cartoons. Delightful for the whole family.
cfJ
HELPMATES « «
Laurel and Hardy. Hal Roach.
Laurel and Hardy try house cleaning be- fore the wife returns and indulge in the usual slap-stick dish throwing and general destruc- tion. Stupid but harmless.
HURRY CALL « «
Chic Sales. R.K.O.
Chic Sales in an amusing, well-acted film which should entertain the whole family.
THE LIVING GOD OF THE MONGOLS
Talking Picture Epics.
No member of the family should miss these unusual and splendidly taken pictures of Northern Mongolia and the Gobi Desert.
e-KS
PATHE AUDIO REVIEW No. 8 « «
Uneven editing mars this Review; inter- esting scenes of logging, entrancing views of Edinborough, dull shots of “bathing beauties” on a mountain climb, and a fairly amusing short of a talking parrot.
MOTHER’S HOLIDAY « «
Educational.
A comedy of “Mother’s Day” where down- trodden mother rises in revolt and throws the cake in father’s face. Harmless.
rfJ
ROMEO MONK « «
Aesop Fable. Columbia.
A dull animated cartoon, lacking in imagi- nation and ingenuity but harmless for juniors and children.
CW
SLIM FIGURING « «
Grantland Rice Sportlight.
This a photographic cataloguing of the strenuous sports in which American women take part, ranging from La Crosse at Smith College to calisthenics of prospective chorus girls. The examples shown cover a wide range of physical activities. Recommended for all.
MOTION
PICTURE
REVIEWS
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
APRIL 1932
THE WOMEN’S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY-TWO WOMEN S UNIVERSITY CLUB
WEBBCRAFT PRINTERS, 1651 ARLINGTON AVE., LOS ANGELES
Motion Picture Reviews
Three
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MOTION |
• PICTURE • |
REVIEWS |
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Published, monthly by |
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THE |
WOMEN’S UNIVERSITY |
CLUB |
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LOS ANGELES BRANCH |
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AMERICAN ASSOCIATION OF UNIVERSITY WOMEN |
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Mrs. Gerard A. Murray Mrs. Madison J. Keeney |
Mrs. Bruce A. Findlay |
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Preview Chairman |
Business Manager |
Asst. Business Manager |
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Mrs. John Vruwink - Co-Chairmen - Mrs. Pai.mer Cook |
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EDITORS |
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Mrs. J. Allen Davis |
Mrs. John Vruwink |
Mrs. Walter Van Dyke |
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Mrs. Palmer Cook |
Mrs. Arthur Jones |
Mrs. F. H. Partridge |
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Address all communications to The Women’s University Club, 943 South |
Hoover St., Los Angeles, Calif. |
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1 Oc Per Copy - - $1.00 Per Year |
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Vol. Ill |
APRIL, 1932 |
No. 4 |
EDITORIAL
♦
The Association of Motion Picture Pro- ducers and Distributors, in offering the pre- viewing of current releases to the women’s groups, made one stipulation, namely, that only those should be invited which had national distribution for their reviews. The first groups to receive and accept this privi- lege were: The General Federation of
Women’s Clubs, The Daughters of the Amer- ican Revolution, The International Federa- tion of Catholic Alumnae, The California Association of Parents and Teachers, and the Women’s University Club, Los Angeles Branch of the American Association of Uni- versity Women. One or two other women’s organizations were invited, but declined be- cause they felt the work outside of their out- line of service. The Boy Scouts of America were included, the Young Men’s Christian Association, and also the American Librar- ians’ Association. The boys’ groups are unable to be regular in attendance, and the Librar- ians send representatives only when the pic- ture is an adaptation of a book in which they feel sufficient interest to warrant their atten- tion. Later the National Society of New Eng- land Women, the National Council of Jewish Women, and more recently, the United Church Brotherhood accepted the invitation to these previews.
Each organization is privileged to send five representatives. These reviewers are selected
with care and discrimination by the chairmen of the groups, and must prove to offer in- telligently constructive criticisms before they are accepted as permanent workers.
As the reviewers enter the lounge where the pictures are shown, each is given two duplicate questionnaires. These have been written in Mrs. Winter’s office with the cooperation of the chairmen of the groups whose comments and criticisms were re- quested. The form is as follows:
Your Name and Organization:
Projection Date:
Production :
Producers :
Direction :
Cast :
From the Book or Play:
Author of Script and Dialogue:
STORY
You are trying to judge this picture so that your point of view may interpret its value to an enormous audience with wide variations. The terms used below are merely suggestions. Use any characterizations you choose.
I. THE FIRST PURPOSE OF COMMERCIAL PICTURES IS ENTERTAINMENT
(a) What entertaining or outstanding elements has this picture? For example, is it vivid, fresh, stimulating, charming? Or is it banal, with hackneyed scenes and theme? Do you recommend it?
(b) How do you grade it for adults? For juniors? For children under 12?
Four
Motion Picture Reviews
II. ETHICAL VALUES
(a) Estimate the picture as a whole rather than fixing your mind on the details. (This means, does it leave a good taste in the mouth? Is the general trend, the atmosphere, wholesome? Does it build morality? Or is it demoralizing in its total? Note that questionable situations should be judged according to whether they drive a lesson or are introduced for their own sake.)
(b) Has it particularly objectionable features, such as an uncalled-for drinking, vulgar sex relations, objec- tionable crime situations?
(c) If questions of law are involved, does it build good citizenship?
III. ARTISTIC VALUATIONS
(a) What type of drama is it? (This is important because we do not demand the same treatment of all forms — for example, of farce and tragedy.)
(b) Story Structure. (Is the story well told? This means, does it hold together, seem consistent, properly developed? Does the dialogue fit the story?)
(c) Acting. (Discuss the fitness of the actors for their parts. Are they real or just stagey? Are they appropri- ately cast? Discuss voices and enunciation.)
(d) Directorship. (For example, development of dramatic possibilities; use of silence; swift or slow movement ; scenic relation to dramatic situations.)
Note : It would be well to give a brief synopsis of the picture, using the other side of this sheet.
It is of interest to note that the social value of the film is stressed first, comments from the artistic side follow.
Each previewer is requested to write duplicate reviews. One is returned to the chairman of the group represented, the other is mailed to Mrs. Winter. These comments are not written at the Academy rooms. One of the first requests made by the Producers’ Association, even before Mrs. Winter’s ar- rival in Hollywood, was that no discussion of the pictures take place in the Academy rooms among the previewers. They insisted that the previewers make individual reports, uninfluenced by others seeing the film, and under no circumstances should the picture be discussed with members of the Producers’ Association who might be present at the showing. Every effort was made that fair- ness and courtesy be afforded the previewers. The chairmen of the different groups have committees which then edit the five reports on each picture and give to their public their final evaluation.
In order to have this reviewing of any value, either to the Producers’ Association or to the different groups, these final reports had to have a means of distribution over the country. It was naturally important to each Producer that the recommended films attract attention so that increased attendance make the previewing worth while. However, no restrictions were placed upon adverse com- ment. Inasmuch as financing such a project seemed a serious problem to most of the groups, the Association of Motion Picture Producers and Distributors offered to finance the printing or mimeographing, and postage. This has caused some criticism on the part of
the public, but as it has worked out, actually no pressure has even been brought to bear on the final reports issued. The chairmen send copy directly to the printer’s office, where it is posted also. It is then read by Mrs. Winter’s office in its final released form.
The groups accepting this financial help are the International Federation of Catholic Alumnae, the General Federation of Women’s Clubs, the Daughters of the American Revo- lution, the Council of Jewish Women, and that of the New England Women. The Young Men’s Christian Association, Boy Scouts and Parent-Teachers Association re- lease their reviews through their own monthly magazines. The Women’s Uni- versity Club publishes a monthly bulletin, financing it through a subscription price of one dollar a year. The fact that it has financed itself, with a steadily increasing list of subscribers, has been encouraging to those responsible for the venture.
With one exception all the groups report to their public on all films seen, whether the comment is favorable or adverse. The International Federation of Catholic Alumnae still adhere to their policy of giving out only recommended lists. This organization and the General Federation of Women’s Clubs have their general chairmen in New York, where their reports are printed and mailed. They often include comments on films which have not been shown at the Academy in Hollywood. The Parent-Teachers Associa- tion and the Women’s University Club send reviewers to the theatres to catch pictures which have not been shown at the Academy. It must be remembered that the showing of films at the Academy is entirely a voluntary service on the part of the individual pro- ducers, and a few are not entirely in sym- pathy with the procedure. Also mechanical difficulties sometimes prevent showing before release.
What is the value of this work? It must be remembered that the origin of previewing by the women’s groups was not to censor films, but, as explained in the last issue of this bulletin, to give to interested individuals and community groups all over the country information on current releases. It was begun primarily for selection for children’s enter- tainment and later for discriminating adults. As far as we know none of the previewing groups believes in political censorship as a practical correction for poor pictures. On the other hand the increased demand for the comments broadcast by the reviewing groups, the greater use of these lists in newspapers, magazines, schools, and libraries, the en- couraging reports from exhibitors that the recommended films are box office successes,
Motion Picture Reviews
Five
would seem to indicate that selective attend- ance is the best answer to the problem. There is no desire to place a ten-year-old apprecia- tion as the intellectual or moral standard for motion pictures. Where there are pictures which interest and appeal to that age, let the children go. Junior matinees and Mickey Mouse clubs beg for “a break” — for some- thing which will joyously and cleanly enter- tain these eager little movie fans. But on the other hand there is in addition to the chil- dren’s matinees and the family audiences, a large and ever increasing public for adult themes handled intelligently and with good taste! There will always be bad pictures. Intelligence and good taste may be culti- vated, but usually people are naturally en- dowed with them. An industry as great as the motion picture cannot be fortunate enough to secure only those so gifted.
Mrs. Winter’s connection with the Public Relations office has been most fortunate for the women’s groups. She brings to the work the value of her vast experience, her singu- larly clear and unprejudiced insight, and the highest ethical and moral standards. Dr. Miriam Van Waters, in a study group organ- ized by the Women’s University Club and sponsored by the University of California Extension, on the subject of the Social Value of Motion Pictures, once gave the group a
definition of science which was to be applied in their approach to the study. She said:
“The essence of science is the determina- tion to investigate everything without con- ceding anything to current human prejudice.” We believe that no one connected with the work has approached that unbiased, balanced attitude as successfully as has Mrs. Winter. Within the industry she brings the viewpoint of the public (represented by the previewing groups) to the Studio Relations Committee, which reads the scripts and sees the pictures in the process of construction, and in their finished forms before release. This opinion, added to her personal ability, must carry weight in these conferences. Inside the studios a force is at work for finer produc- tions ; outside the studios the momentum de- pends upon this organized public.
No movement of value can achieve results without complete understanding, similar standards and viewpoints, and cooperation between those working. Mrs. Winter’s ad- vent has drawn closer the different groups which had the same objective but possibly a different approach. They are now working together more closely, and increased results are actual. This is due in great part to Mrs. Winter’s drawing of the groups together, to their recognition of her balanced and un- prejudiced attitude and to her insistence upon their adherence to the highest ideals.
FEATURE FILMS
♦
AFTER TOMORROW » »
Charles Farrell, Marion Nixon, William Collier, Sr., Minna Commbel. From a play by Hugh Stange and John Golden. Direc- tion by Frank Borzage. Fox.
Reminiscent of “Street Scene,” this serio- comedy traverses the path of ordinary folk. The audience is lead through a maze of obstacles which circumstance has interposed to thwart the marriage plans of a romantic and ambitious boy and girl. The young lovers are portrayed with sincerity by Miss Nixon and Mr. Farrell ; the character parts of the remainder of the cast are well directed and presented. Minute detail in the unfolding of the story makes the picture seem longer than it really is. Although there is some comedy relief, the story, as a whole, is based on the theme of disappointment and self-sacrifice. The appeal of the production is in its series
of emotional crises, most of which are whole- some and will bring sympathetic interest from a not too analytical audience. Adolescents, 12 to 16 Children, 8 to 12
Possibly interesting — No interest
but drab
♦
AMATEUR DADDY » »
Warner Baxter, Marion Nixon, Rita LeRoy.
Direction by John Blystone. Fox Film Corp.
The locale of “Amateur Daddy” is a par- ticularly pleasing one. The charm of the children and good directorship make a re- freshing picture from a slightly saccharine story. An engineer, who promises to provide for the family of a dying workman, makes a mistake and adopts the wrong brood, an error which proves fortunate in the end. It
Six
Motion Picture Reviews
is the type of film that the whole family may enjoy.
Adolescents, 12 to 16 Children, 8 to 12
Yes Yes
♦
ARE YOU LISTENING * »
William Haines, Madge Evans. Adapted from a “Collier’s” magazine story by ). P. McEvoy. Direction by Harry Beaumont. M.C.M.
The interesting activities of a radio broad- casting station provide a novel and entertain- ing background for a production which starts out as a fast moving, up-to-the-minute com- edy. Unfortunately, sordid situations and un- necessary vulgarity enter to change the char- acter of the story, and broken and episodic continuity destroy whatever interest has been aroused.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
BEAUTY AND THE BOSS » »
Marian Marsh, David Manners, Charles But- terworth. From the stage play “The Church Mouse.” Direction by Roy Del Ruth. Warner Brothers.
This comedy cannot be recommended for discriminating audiences. The plot concerns an unprincipled Austrian nobleman and an ugly duckling secretary who is transformed by a Paris gown. The humor is generally based on questionable situations which are not sufficiently cleverly handled to escape be- ing offensive. The atmosphere is unsavory and unconvincing.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
BEHIND THE MASK » »
Jack Holt, Constance Cummings, Boris Karsloff. Direction by John Francis Dillon. Columbia.
A mysterious man whose identity is hidden behind a mask, and the melodramtic doings of a ring of narcotic peddlers, are the mate- rials of which this thriller is fashioned. Sus- pense is maintained throughout, which, after all, may be the test of its entertainment value for audiences who like this type of picture. Adolescents, 12 to 16 Children, 8 to 12
Not advised No
BROKEN WING » »
Lupe Velez, Leo Carillo, George Barbier, Melvyn Douglas. From the play by Paul Dickey and Charles W. Goddard. Direction by Lloyd Corrigan. Paramount-Publix.
Leo Carrillo !s a dashing dare devil bandit. Lupe Velez is the foster daughter of an American business man in a Mexican mining territory. A complicated “triangle affair” develops when a plane is crashed in the heroine’s garden, with the handsome pilot emerging from the wreckage. A happy out- come is effected only after numerous exciting incidents. The dialogue is humorous and sparkling and the story moves with charming spontaneity. It is a film that the family may enjoy.
Adolescents, 12 to 16 Children, 8 to 1 2
Good Some interest
*
BUT THE FLESH IS WEAK » »
Robert Montgomery, Edward Everett Hor- ton, Eleanor Gregor, C. Aubrey Smith. From “The Truth Game," by Ivor Norello. Direc- tion by Jack Conway. M.G.M.
A confusion in treatment is the greatest weakness of this picture. Played as pure farce the ridiculous crudities of the plot might have forestalled criticism, but as smart comedy, it becomes frequently vulgar and rather boring. It traces the adventures of two charming and impecunious gentlemen, father and son, who live by their wits, and its lack of sincerity and pointlessness, make it a disappointing vehicle for an excellent cast.
Adolescents, 12 to 16 Children, 8 to 12
Unwholesome No
♦
CARELESS LADY » »
Joan Bennett, John Boles. Direction by Kenneth McKenna. Fox.
Accepting the hazardous theory that a woman to be attractive to men must have experience and sophistication, Joan Bennett sets out to acquire both. The story of how she succeeds is absurdly farcical. But John Boles has a light touch, and Joan herself is perhaps sufficiently attractive to surmount the dull moments (of which there are many). This may prove mildly diverting to adults, but its cheap implications and banal presen- tation make it doubtful entertainment for adolescents.
Adolescents, 12 to 16 Children, 8 to 12
Not suitable No
Motion Picture Reviews
Seven
CAIN » »
Native cast. Direction by Leon Poirier. Talking Picture Epics.
This French picture, taken on a small island off the coast of Madagascar, has been adapted to American use by the substitution of English words in certain sequences, but they are so infrequent, that it can scarcely be called a talking picture. It is the story of a stoker who steals from a cabin passenger and escapes to an island where he lives for years till his conscience bids him return the valuables and once more he is confronted with the choice between civilized and primi- tive life. The photography, which is very beautiful, and the spontaneous acting of the natives, make the picture worth seeing, al- though some will cavil at the extreme sim- plicity of the plot.
Adolescents, 12 to 16 Children, 8 to 12
Interesting Yes
♦
COHENS AND KELLYS IN HOLLYWOOD »
Charles Murray, George Sidney, June Clyde, Norman Foster. Direction by Howard Green. Universal.
Here is a golden opportunity for all those who enjoyed “Abie’s Irish Rose!” Once more they can enjoy the Kellys and the Cohens in action, this time enhanced by the familiar Hollywood background of movie stars, direc- tors, song writers, popular restaurants and swimming pools. It is cleverly and amusingly presented, and more, there is real appeal, also underlying truth in the triumphs and vicissi- tudes of Melville and Kelly. The whole family will enjoy this one.
Adolescents, 12 to 16 Excellent
♦
COUNTY FAIR » »
Hobart Bosworth, Marian Schilling, William Collier, Jr. Direction by Louis King. Mono- gram Pictures Corp. Cooperative Exchange.
An unsophisticated, old-fashioned melo- drama, in which suspense, action, and a simple love story supply pleasant, wholesome entertainment. The horse race at the county fair provides the climax after all the foul play connected with the heroine’s horse is circumvented. In addition to the story, the gay setting of the fair, the character types and the beautiful horses will hold interest and make it a picture which the whole family will enjoy.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Yes
Children, 8 to 12
Good, if it interests
DANCERS IN THE DARK » »
Miriam Hopkins, Jack Oakie, William Col- lier, Jr. From the play “Jazz King.” Direc- tion by David Burton. Paramount.
The mediocre plot is concerned with a jazz orchestra leader, a taxi dancer, one of the band, and a gangster, all of whom are enacted by excellent talent. If the roles were not played so well the story would have no interest whatsoever. Jack Oakie as a self- sacrificing character, is not so convincing as in his more humorous roles, and Miriam Hopkins certainly has ability to warrant a better vehicle. It is a waste of time and de- picts situations which even if they were true, would not be any credit to the art which presents them. There are present some ele- ments of entertainment, but these are all on a low level, and the dramatic instances are not even of an intense variety.
Adolescents, 12 to 16 Children, 8 to 12
No Decidedly not
♦
DEVIL’S LOTTERY » »
Elissa Landi, Paul Cavanaugh, Alexander Kirkland, Beryl Mercer, Victor McLaglen. From a novel by Nalbro Bartley. Direction by Sam Taylor. Fox.
The play commences with a clever and promising situation. Lord Litchfield decides to entertain at his castle the four winners of the Calcutta sweepstakes lottery, in order to observe their reaction to suddenly acquired riches. It is a motley group, including an adventurer, a crippled soldier, a Cockney widow and a young American archeologist. Perhaps, because of the complexity of the characters’ lives, the theme is more suitable for a novel than a play; at any rate, in spite of good casting, excellent comedy, exciting sequences and the charm of Elissa Landi, the production fails to fulfill the promise of its opening scenes and becomes confused, un- convincing and melodramatic, but still hold- ing interest for adults.
Adolescents, 12 to 16 Children, 8 to 12
Doubtful; Very No
sophisticated
❖
THE DOCKS OF SAN FRANCISCO » »
Mary Nolan, Jason Robards. Direction by George Seitz. Action Pictures. (Seen in Preview.)
A dive on the waterfront is visited by a slumming party, one of whom is a young author. By this chance he becomes involved in the life of a woman who is the hireling and mistress of a gang leader. Her desire to
Eight
Motion Picture Reviews
go straight is the impetus for the plot delinea- tion. Melodrama in the ridiculous is thence- forward presented. At the supposed dramatic peak the story falls flat. Unless it is im- proved before the final release, it is too poor to recommend to any audience.
Adolescents, 12 to 16 Children, 8 to 12
A waste of time No interest
❖
THE FINAL EDITION » »
Mae Clark, Pat O'Brien. Direction by How- ard Higgins. Columbia.
Here we have a picture of gangsters and newspaper reporters as well as a murder mystery and a romance, but the plot is neither new or subtle and more than once leans heavily on our credulity. Mae Clark as usual gives a good performance.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
GIRL CRAZY * »
Eddie Quillan, Robert Woolsey, Kitty Kelly, Mitzi Green, Bert Wheeler. Direction by William Seiter. R.K.O.
“Girl Crazy” is a cross between a slap stick comedy and a burlesque. While the acting is passable and there are certain situa- tions which might prove amusing to children, it really doesn’t rank very high.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended Not recommended
♦
THE CREEKS HAD A WORD FOR THEM »
Ina Claire, Joan Blondell, Madge Evans, Lowell Sherman. Direction by Lowell Sher- man. United Artists.
We are growing a little weary of whatever it was that the Greeks had a word for. Though this farce is beautifully staged and the three leading actresses are cleverly chosen for their roles, the cynical audience may not laugh so heartily as it did at the play of al- most the same name. Anything based on so sordid a theme must be scintillating in the extreme to overcome the average person’s dislike for certain situations. The dialogue is very flippant and sometimes clever; the production is the apex of sophistication. Adolescents, 12 to 16 Children, 8 to 12
No No
HEART OF NEW YORK » »
George Sidney, Joe Smith, Charles Dale, Ruth Hale, Anna Appel Donald Cook. Based on the play "Mendel, Inc.” Direction by Mervyn Le Roy. Warner Brothers.
This is an amusing study of the Ghetto and its inhabitants, tracing the fortunes of a Jewish plumber and his family through alter- nate poverty and affluence. After the manner of Fannie Hurst the characterizations are both satiric and sympathetic, and the per- sonnel includes the whole neighborhood, showing many types which seem authentic. Though some of the humor is unnecessarily coarse and adds nothing to the reality of the picture, the acting, direction and settings combine to make interesting entertainment. Adolescents, 12 to 16 Children, 8 to 12
Entertaining Mature, but
harmless
♦
LENA RIVERS » »
Charlotte Henry, Beryl Mercer, Morgan Calloway, James Kirkwood. Direction by Philip Rosen. Tiffany.
The old sentimental romance of “Lena Rivers” has now been brought to the screen and provides pleasant, if unstimulating en- tertainment. Here is a love story with a happy ending, colorful horse races, and some tuneful darky singing — and in addition a most attractive heroine, for Miss Henry’s natural manner and charming personality make “Lena” very appealing.
Adolescents, 12 to 16 Children, 8 to 12
Not harmful No interest
♦
MAN WANTED » »
Kay Francis, David Manners. Direction by William Dieterle. First National.
Whether it was courage or stupidity that prompted the use of such unsavory and un- interesting material, we cannot see any ex- cuse for this picture. Even French telephones and polo clothes have a limited appeal when the plot is stupid and illogical and the situa- tions are a boring repetition of unpraise- worthy incidents.
Adolescents, 12 to 16 Children, 8 to 12
No! No!
♦
THE MENACE » »
H. B. Warner, Bette Davis, Walter Byron. Direction by Roy W. Neil. Columbia.
Little remains to be said about these mys- tery thrillers that has not already been
Motion Picture Reviews
Nine
applied to others. Like a batter recipe which, with slight variations, produces muffins, pan- cakes, or waffles, the ingredients in these pic- tures are likewise mixed in different propor- tions and then turn out well or ill. But this story is a good one of its kind; an old murder mystery, an unjust conviciton, a gang of crooks, a Scotland Yard detective, two young lovers and an English estate as background, are the elements which are successfully worked out by the aid of competent acting and good direction, to provide an hour’s diversion.
Adolescents, 12 to 16 Children, 8 to 12
A matter of taste Too mature
♦
THE MIRACLE MAN » »
Sylvia Sidney, Chester Morris, John Wray, Ned A. Sparks, Robert Coogan, Hobart Bosworth. Direction by Norman McLeod. Paramount-Publix.
The effect of this picture will differ greatly with the type of individual who sees it and with his mood at the time of presentation. It relies for its appeal entirely on emotional quality devices, such as stirring or soft music, slow movement and other special technique being used to that end. The story tells of a group of professional scamps who come to a small town by chance and believe they have found an excellent field for their operations by exploiting a faith-healer, the Patriarch, whose simplicity and goodness, however, prove a bulwark against evil. The tone is distinctly moral in that wholesome living is upheld, but because of its theatrical effects this version is more obvious and at the same time less convincing than either the stage or silent version.
Adolescents, 12 to 16 Children, 8 to 12
Fair Too emotional
♦
PLAY GIRL » »
Loretta Young, Winnie Lightner, Norman Foster, Cuy Kibbe, Dorothy Burgess. Direc- tion by Ray Enright. Warner Brothers-First National.
In “Play Girl” we follow the misfortunes and misunderstandings of a young husband and wife. Although the plot is not unusual, the play is done in an interesting manner and succeeds in holding one’s attention to the end. In spite of the number of scenes con- cerned chiefly with race tracks and gambling, the picture contains nothing really objection- able. Winnie Lightner and Guy Kibbe fur- nish excellent comic relief.
Adolescents, 12 to 16 Children, 8 to 12
Passable No
PROBATION » »
John Darrow, Sally Blane. Direction by Richard Thorpe. Distributed through Pacific Coast Exchange.
This silly production is the result of com- bining two inharmonious types of entertain- ment. From the title and opening scenes one expects a social problem drama showing modern youth running afoul of the Juvenile Court. Suddenly an unsophisticated love story develops in which the romance of a poor young man and a rich young girl is steered by a benevolent uncle towards an improbable happy ending. Bad taste and excessive drinking in certain portions of the picture might advantageously have been left out. The good cast is to be congratulated for preserving a modicum of charm and enter- tainment value.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
♦
STEADY COMPANY » »
Norman Foster, June Clyde, Henry Armetta, Zasu Pitts. Direction by Edward Ludwig. Universal.
When Zasu Pitts is cast in a film one ex- pects to laugh, and in “Steady Company” there is an opportunity for wholesome merri- ment. Henry Armetta as the lovable and de- voted foster father is distinctly appealing. He takes the spot light. The plot is common- place. A truck driver with pugilistic ambi- tions is engaged to a telephone operator. She is under the false impression that her fiance is in lofty pursuit of a medical career. In spite of the ringside atmosphere, which plays no small part in this picture, it is good clean fun.
Adolescents, 12 to 16 Children, 8 to 12
Good Harmless
♦
SYMPHONY OF SIX MILLION » »
Ricardo Cortez, Anna Appel, Irene Dunn, Noel Madison, Gregory Ratoff. Direction by Gregory LaCava. R.K.O.-Pathe.
The poverty and suffering of the Ghetto help to create a great surgeon, “Dr. Felix Klauber,” who dedicates his skill to the poor and helpless. How he loses his high purpose — and finds it again — is an absorbing story told with great dramatic skill. Ricardo Cor- tez gives a memorable performance as the sensitive, brilliant young doctor. Because of its strong emphasis on human sacrifice and
Motion Picture Reviews
T en
suffering this picture is recommended only to adults and to adolescents who are emotionally mature.
Adolescents, 12 to 16 Children, 8 to 12
Very intense No
❖
THE TRIAL OF VIVIENNE WARE » »
Joan Bennett, Donald Cook, Zasu Pitts, Richard "Skeets” Gallaghar. Direction by William Howard. Based on the novel by Kenneth M. Ellis. Fox. (Seen in Preview.)
The murdered man in this case has been the fiance of Miss Ware (Joan Bennett) until the day of the tragedy. The attorney for Miss Ware (Donald Cook) has the double effort of defending a woman who is sur- rounded by incriminating circumstances and of fighting for the life of this same woman whom he loves. A cabaret dancer, two gang- sters, a butler, a chauffeur, and a busy-body next door, all figure in the spectacular legal battle between the district attorney and Cook. Comedy relief is furnished by Zasu Pitts as a newspaper woman covering the case, and by “Skeets” Gallagher, a radio announcer broadcasting the trial. Interest never lags. The picture can be recommended to those who enjoy murder mysteries.
Adolescents, 12 to 16 Children, 8 to 12
Not harmful Not recommended
♦
VANISHING MEN » »
Tom Tyler, Yakima Canutt, Adele Lacy. Direction by Harry Fraser.
“Go get ’em, men!” is the dialogue theme of the cattle “rustlers” and the sheriff’s posse in this western melodrama aboard a horse. The action is swift, the climaxes exciting, and the dialogue stilted. The sympathy of the audience is with the law and the redemption of a young “rustler,” making the purport wholesome in spite of considerable gun play. Audiences will find the drama has average entertainment value.
Adolescents, 12 to 16 Children, 8 to 12
Good Good
♦
VANITY FAIR » »
Myrna Loy, Conway Tearle, Barbara Kent, Montague Love, Lionel Belmore. From the classic by Thackeray. Adapted by S. W. Herbert. Direction by Chester Franklin. Allied Pictures Corp.
The generation brought up on “Vanity Fair” will be most exacting as to its pres- entation. To them Myrna Loy’s interpreta- tion of “Becky Sharp” will not be satisfying.
She misses the sly artfulness and sparkle of Thackeray’s immortal heroine (and of Mrs. Fisk’s stage interpretation). One feels her coldness and ruthlessness, but not “Becky’s” undying charm. The task of condensing the long and involved novel and holding the characters to the original type in a mod- ernized version has been very well done and deserves commendation. It is an interesting production, well worth seeing, but the thrill- ing quality of genius which has made “Vanity Fair” a great novel, is missing. Adolescents, 12 to 16 Children, 8 to 12
Mature Too mature
❖
THE WISER SEX » »
Melvyn Douglas, Claudette Colbert, Lilyan Tashman. Based on play “Her Confessions,” by Clyde Fitch. Direction by Berthold Viertel. Paramount-Publix.
A pleasing cast is wasted on another gangster story which is not sufficiently differ- ent to hold much interest. Swift action and exciting situations are its only asset. The plot concerns the sordid experiences of a young woman who enters the underworld in order to obtain proof to discredit circum- stantial evidence against the man she wishes to marry. It is unconvincing, and there is nothing unusual enough about the production to warrant one’s wasting an hour or more in intimate association with such objectionable characters.
Adolescents, 12 to 16 Children, 8 to 12
No No
❖
THE WET PARADE » »
Lewis Stone, Walter Huston, Dorothy Jordan, Robert Young, Neil Hamilton, “Snozzle” Durante. Based on novel by Upton Sinclair. Direction by Victor Fleming. M.G.M.
“Mr. Chilcote,” • a Southern gentleman (Lewis Stone), by committing suicide, sup- plies the first tragedy in the parade of the misuse of liquor. The film then becomes a pictorial debate on the subject of prohibition, presenting the case without prejudice and drawing no conclusion. The treatment is chronological in showing the saloons, the war-time prohibition, the passing of the amendment and the present chaos of speak- easies, organized bootleggers and the failure of law enforcement. Here is intense drama, perfectly enacted throughout. A love story of Dorothy Burgess as “Maggie May Chil- cote” and Robert Young as “Kip Tarleton,” ties together the divergent elements. As en- tertainment “The Wet Parade” has emo-
Motion Picture Reviews
Eleven
tiona! appeal and stimulates thought, but offers little in the nature of relaxation. We recommend it highly as an exceedingly inter- esting presentation of a social problem.
Adolescents, 12 to 16 Children, 8 to 12
Mature Not suitable
♦
A WOMAN COMMANDS » »
Pola Negri, Roland Young, Basil Rathbone. Direction by Paul Stein. R.K.O.-Pathe.
A melodramatic and jumbled comedy ro- mance of intrigue and revolution in a mythical kingdom handicaps Miss Negri in her “comeback” to pictures. It is interesting only as a vehicle for her. However, she is delightful, and the cast is excellent. If we care to overlook the story, the beautiful photography of old world sets and the per- sonality of the stars will compensate. Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
YOUNG BRIDE » »
Helen Twelvetrees, Eric Linden, Arline Judge, Roscoe Ates, Polly Walters, Cliff Edwards. Direction by William Seiter. R.K.O.-Pathe.
Diligent search of this plot will reveal a few elements of entertainment, but these are obscured by vulgar scenes and situations, most of which occur in a dance hall of the lowest order. Helen Twelvetrees is almost saccharine in her portrayal of “Allie Smith,” a children’s librarian, in search of a Galahad. Eric Linden plays the braggart whom “Allie” marries. The rest of the cast provide a most realistic atmosphere of so-called “modern youth” having its fling. At best this picture is oor entertainment.
Adolescents, 12 to 16 Children, 8 to 12
No Impossible!
SHORT SUBJECTS
♦
ATHLETIC DAYS » »
f Metro-Goldwyn-Mayer.
This is a demonstration of the old and new technique in various events included in the Olympic games. Young athletes will find the film of special interest. Recommended for the family.
♦
AUDIO REVIEW No. 9 » »
Pathe.
An interesting review showing the Alex- ander Caverns in Pennsylvania; a remark- able bass soloist; a curious Australian ani- mal, and the clever Benda masks made by Mr. Benda and his wife.
♦
THE CAT’S CANARY » »
Aesop Fable. R.K.O.-Pathe.
This is an ingenious and entertaining fable in which the cat temporarily swallows the canary. To the consternation of all the fence prowlers, whenever the cat opens her mouth a warble is emitted. Recommended for the family.
♦
CROSBY, COLOMBO AND VALLEE » »
Pacific Title and Art Studio.
Animated cartoon introducing the popular radio crooners into an Indian Camp. Of fair interest.
DESERT RECATTA * »
Metro-Goldwyn-Mayer.
Desert Regatta features outboard motor races on the Salton Sea, in which ten exist- ing world’s records are broken. Recom-
mended for the family.
♦
FLY FROLIC » »
Aesop Fable. R.K.O.-Pathe.
An entertaining animated cartoon in which the spider in the case becomes a Dr. Jekyll and Mr. Hyde. The flies finally rescue his victim. Quite amusing for all.
♦
FLYING LEATHER » »
Grantland Rice Sportlight. R.K.O.-Pathe.
In the “manly art of self-defense” the dis- tance between pre-school and collegiate box- ing is effectively bridged by “Flying Leather.” Recommended for the family.
♦
FREDDY, THE FRESHMAN » »
Pacific Title and Art Studio.
Animated cartoon in which animals go
through college “stunts.” A fair production, entertaining for children.
MOTION
PICTURE
REVIEWS
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
MAY 1932
THE WOMEN’S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY-TWO WOMENS UNIVERSITY CLUB
»
WEBBCRAFT PRINTERS, 1951 ARLINGTON AVE
LOS ANGELES
Motion Picture Reviews
Three
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MOTION • PICTURE • REVIEWS |
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Published, monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN |
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Mrs. Gerard A. Murray Mrs. Madison J. Keeney Mrs. Bruce A. Findlay Preview Chairman Business Manager Asst. Business Manager Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook |
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EDITORS Mrs. J. Allen Davis Mrs. John Vruwink Mrs. Walter Van Dyke Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. H. Partridce Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif. 10c Per Copy - - $1.00 Per Year |
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Vol.lll MAY, 1932 No. 5 |
FEATURE FILMS
♦
AVALANCHE » »
Leni Riesenstahl, Zepp Rist. Direction by Dr. Arnold Fanck. British International Film.
Gorgeous snow panoramas in the environs of Mount Blanc, as well as an intimate par- ticipation in skiing, weather reporting, and observing the moon through a huge telescope, supply enough thrills to make the simple story at times subservient in interest. There is a minimum of dialogue with no loss of dramatic opportunity, even though the tempo is very deliberate. This most interesting production is German made, presented in the English version, and is well synchronized. The sheer icy beauty of Mount Blanc is ap- parent to any age or nationality.
Adolescents, 12 to 16 Children, 8 to 12
Excellent Excellent
♦
THE BIC TIMER * »
Ben Lyon, Constance Cummings, Thelma Todd, Tony Dugan. Direction by Eddie Burzell. Columbia.
Those who enjoy boxing might like this picture, which tells the events in the life of a would-be champion. A charming girl (Constance Cummings) manages her ego-
tistic bumptious husband (Ben Lyon), and guides him to success by sound advice. As a whole it is limited entertainment.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No
♦
BEHIND STONE WALLS » »
Robert Elliott, Eddie Nugent, Priscilla Dean, Ann Christy. Direction by Frank Strayer. Produced by Frank Strayer.
The only incident in this picture which reflects a wholesome attitude towards any human relationship is a son’s Quixotic en- deavor to assume his mother’s guilt. Other- wise the plot dwells on infidelity, murder, blackmail and disloyalty, and these are not particularly well presented.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
THE CROWD ROARS »
James Cagney, Joan Blondell, Eric Linden, Ann Dvorak. Direction by Howard Hawks. Warner Bros. First National.
Only the most phlegmatic and hardened movie fan could sit through this picture with- out suffering. It is an endurance test for any
Four
Motion Picture Reviews
audience. From beginning to end, the spec- tators are in a state of harrowing suspense with the certainty that something frightful is about to happen, and skillful director Howard Hawks has neglected no oppor- tunity of fulfilling every dreaded expecta- tion. James Cagney has an unsympathetic part as a ruthless, conceited racing driver and the somewhat unpleasant plot is secon- dary in importance to the violent tragedy and horrors depicted. In the most devestat- ing scene we have realism ad nauseum when a car with its occupant catches fire and careens around the course to the accompani- ment of a deafening roar from the grand- stands and the agonized shrieks of the vic- tim. What may be entertainment for some audiences will be punishment for many. Adolescents, 12 to 16 Children, 8 to 12
Sophisticated and nerve racking Certainly not
♦
DESTRY RIDES AGAIN » »
Tom Mix, Stanley Fields, Earle Fox, Claudia Dell. Direction by Ben Stoloff. Universal.
Tom Mix and his horse are never failing drawing cards for children and adults who thrill to the swift action of breezy western melodrama. Plot and dialogue are secondary when honest Destry triumphs over the wicked sheriff and gallops to romance on Tony’s beautiful back.
Adolescents, 12 to 16 Children, 8 to 12
Good Excellent
♦
GRAND HOTEL » »
Greta Carbo, John Barrymore, Joan Craw- ford, Wallace Beery, Lionel Barrymore. Lewis Stone, Jean Hersholt. By Vicki Baum. Directed by Edmund Coulding. M.C.M.
There are any number of reasons why audiences will go to this picture, but to our mind the greatest factor in its sucess is neither the much advertised cast nor Vicki Baum’s failure-proof play. The direction’s the thing. Swift, clear-cut, decisive, logical, the direction blends the various plots, scat- tered scenes and diverse personalities into a completely satisfying unit. There is nothing superfluous, nothing out of balance. Whether or not each individual favorite comes up to expectations the picture is eminently worth while. Wallace Beery perhaps is more com- pletely in character and less his usual screen self than any other member of the cast though Joan Crawford gives an almost flawless per- formance. The play is tragic, very realistic, almost totally unconventional, yet somehow not sordid. It is entertainment of the highest grade for sophisticated adult audiences. Adolescents, 12 to 16 Children, 8 to 12
Entirely unsuitable No interest
HELL HOUSE » »
Junior Durkin. Pat O’Brien. Direction and story by Howard Higgin. Tech Art Studio.
A review of this picture was published in November, 1931, under the title “Juvenile Court.”
♦
IT’S TOUCH TO BE FAMOUS » »
Douglas Fairbanks, Jr.. Mary Brian. Walter Catlett, David Landau. Direction by Alfred E. Creen. Warner Brothers-First National.
The treatment of this photoplay is not so light as the wording of the title suggests, for the story presents a very real problem. Fame that comes to a naval commander when heroism is suddenly thrust upon him, upsets his private life and almost wrecks his marriage. Douglas Fairbanks, Jr., as the naval commander, is an engagingly modest young man whose struggles to evade news- paper reporters and a hero-worshipping populace, will enlist the sympathy of his audiences. Though the theme may be of more interest to adults than to juniors, the picture offers first class entertainment for the family.
Adolescents, 12 to 16 Children, 8 to 12
Good Mature
♦
THE MAN FROM NEW MEXICO * »
Tom Tyler, Caryl Lincoln, Jack Richardson, Robert Walker. Direction by J. P. Mc- Gowan. Monogram.
Children enjoy direct action and uncom- plicated motives. A beautiful heroine, a brave hero and a wicked villain, plus skillful riding and hard fighting, where right tri- umphs, make good entertainment for junior matinees. “The Man From New Mexico” is made according to the formula above and is unimportant to all but the younger members of the family.
Adolescents, 12 to 16 Children, 8 to 12
Yes Yes
♦
THE MOUTHPIECE » »
Warren William, Sidney Fox, Aline Mc- Mahon, William Janney. Direction by James Flood and Elliott Nugent. Warner Brothers.
Here is another of those films showing the machinations of lawyers, who for one reason or another, are affiliated with the under- world. This time Warren William as an assistant district attorney, mistakenly sends an innocent man to the electric chair. When he discovers what he has done, he alligns
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Five
himself with gangland against the courts, and indulges in most of the vices which are susceptible of being suggested on the screen. The performance of Warren William is so good that the picture will probably draw audiences in spite of the hackneyed material which it assembles.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
NIGHT COURT » »
Walter Huston, Lewis Stone, Phillips Holmes, Anita Page. Noel Francis. From the play by Mark Hellinger and Charles Beahan. Direction by W. S. Van Dyke. M.C.M.
An involved and unpleasant plot makes this picture seem exhaustingly long. It shows, without mercy to the audience, the lengths to which an unscrupulous man will go to cover up his own wrong doing, and delves into the corruption of judges in a gang-ridden city (all, we suspect, with the purpose of turning out a bigger and better thriller). The subject, however, is interesting and holds one’s attention in spite of its heaviness; the good cast give excellent performances in their respective roles.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
PROBATION » »
John Darro, Sally Blane, Eddie Phillips, Mattie Kemp, J. Farrel MacDonald, Clara Kimball Young. Direction by Richard Thorpe. Distributed through Pacific Coast Exchange.
This silly production is the result of com- bining two inharmonious types of entertain- ment. From the title and opening scenes one expects a social problem drama, showing modern youth running afoul of the Juvenile Court. Suddenly an unsophisticated love story develops, in which the romance of a poor young man and a rich girl is steered by a benevolent uncle towards an improbable happy ending. Bad taste and excessive drinking in certain portions of the picture might advantageously have been left out. The good cast is to be congratulated for preserving a modicum of charm and enter- tainment value.
Adolescents, 12 to 16 Children, 8 to 12
Not recommended No *
RADIO PATROL » »
Robert Armstrong, Lila Lee, Russell Hopton, June Clyde. Direction by Edward L. Cane. Universal. Seen in preview.
Were it not for a brutal murder scene that disqualifies this picture from recommendation to any audience, “Radio Patrol” might be good entertainment. It presents “Rookie School” and the problem of the police in maintaining a large enough force to keep crime in check. A love story of supreme sacrifice is the thread of narrative running through a series of exciting events which are culminated in the heroic death of an officer. Mr. Hopton, in the role of Pat, gives such a gripping portrayal that it is worthy of ap- preciative comment. It is to be hoped that the extreme horror will be eliminated before the final release.
Adolescents, 12 to 16 Children, 8 to 12
Too ghastly Nightmare
provoking
♦
THE ROADHOUSE MURDER » »
Dorothy Jordan, Eric Linden, Purnell Pratt, Roscoe Ates. Direction by J. W. Ruben. R.K.O.
A new angle on the murder-mystery plot is shown in this play, wherein the “cub” re- porter gains notoriety by impersonating a criminal. While the scheme leads him into desperate straits with the proffered lesson that publicity at such a price is to be avoided, nevertheless, the picture as a whole leaves an unhealthy taste of youth’s zest for thrills, regardless of consequences. The play is full of action and suspense from the start, and at the end becomes harrowing.
Adolescents, 12 to 16 Children, 8 to 12
Unsuitable No
♦
SCANDAL FOR SALE » »
Charles Bickford, Pat O'Brien, Rose Hobart, Claudia Dell, J. Farrel MacDonald. Direction by Russel Mack. Universal Pictures Corp.
How every motive of love and friendship becomes subservient to the task of pandering to the public’s desire for thrills and sensa- tion, is shown in this play of yellow journal- ism. While it is realistic and intense, and some parts are noteworthy (the scenes of the end of the trans- Atlantic flight are power- ful and beautifully photographed), it would be more effective if it did not run the whole gamut of human emotions. There is too much crime, too much scandal ; it lacks the novelty and conviction of some of the earlier pic- tures of the press.
Adolescents, 12 to 16 Children, 8 to 12
Too sensational Decidedly not
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Motion Picture Reviews
SCARFACE » »
Paul Muni, Boris Karloff, Kareen Morley. Direction by Howard Hawks; Co-director Harry Rosson. Produced by Howard Hughes.
In “Scarface,” which is the unvarnished hiography of gangster Tony Carmonte, one may become intimately acquainted with an arch criminal, who is composite of all that has hitherto been divulged concerning real characters of the underworld. The picture is vivid, realistic, artistically and dramatic- ally excellent, and one does not feel that it stretches plausibility unless in the concen- tration of so many atrocities in one film. However, it is a display of wholesale murder, of extreme brutality, and of horrifying dis- regard for law. Though the theoretical pur- pose of the film is to rouse the public to a combative attitude towards corruption, it falls short of its avowed intent because the conflict is almost entirely between rival gangsters, and the indirect threat to the public is secondary to our interest in the drama. Moreover Tony, magnificently enacted by Paul Muni, is a colorful and interesting char- acter whose psychology and personal for- tunes become the focus of our attention. We question the wisdom of showing such mate- rial indiscriminately to all types of audiences. Such films may actually do more harm than good ; they most certainly cannot be recom- mended to immature audiences.
Adolescents, 12 to 16 Children, 8 to 12
Emphatically no Impossible
♦
SHOP-WORN » »
Barbara Stanwyck, Regis Toomey, Zasu Pitts, Albert Conti. Direction by Harry Cohn. Columbia.
With a title probably chosen to lure certain types of audiences, “Shop-Worn” is a trashy picture featuring a melodramatic heroine who suffers all the well-known ills of cruel fortune, and later becomes the happy fiancee of her first love. It is somewhat relieved by Zasu Pitts in a comedy role.
Adolescents, 12 to 16 Children, 8 to 12
No No
♦
SINS PAYDAY » »
Dorothy Rivier, Forrest Stanley, Mickey Mc- Guire. Direction by George Seitz. Mayfair Pictures-AII Star Exchange.
Having saved a murderer from the death penalty, the defending lawyer eventually comes to the realization that he must share the responsibility for the criminal’s subse- quent crime. Mickey McGuire, as the small
boy, Chubby, is the center of the humor, as well as of the tragedy in this film, which is set against a gangster background and pictures the degradation of a gentleman and his eventual redemption. The director de- serves credit for the restraint with which he has selected and used his material. Adolescents, 12 to 16 Children, 8 to 12
No No
♦
SKY BRIDE » »
Richard Arlen, Tom Douglas, Jack Oakie, Louise Hale, Robert Coogan. Direction by Stephen Roberts. Paramount-Publix.
The adventures of three barnstorming aviators tense your muscles and pull your heartstrings in this thrilling production. Daring stunts and skillful maneuvers, shot through with pathos, are lightened by comic dialogue. Around this clean story, radiating good fellowship and loyalty, Stephen Roberts has directed one of the most expert produc- tions of its kind.
Adolescents, 12 to 16 Children, 8 to 12
Thrilling Too emotional
♦
SO BIG » »
Barbara Stanwyck, Dickie Moore, Bette Davis. Direction by William A. Wellman. From the book by Edna Ferber. Warner Brothers.
Because of the period of years which it covers, the theme of “So Big" is developed in episodes. The resulting breaks in con- tinuity may be overlooked, for the play itself is beautifully executed, definite in its pur- pose, and marked by a simplicity of treat- ment which is thoroughly wholesome. In the delineation of the principal character, the joy of doing, the satisfaction of achievement and the glory of self-earned success, prove greater compensations than the monetary re- ward for the effort, an idealism which is eventually transmitted to her son. The pic- ture can be recommended for the family. Adolescents, 12 to 16 Children, 8 to 12
Interesting Mature
♦
STATE’S ATTORNEY » »
John Barrymore, Helen Twelvetrees, Jill Esmond, William Boyd, Mary Duncan. Direction by George Archainbaud. R.K.O.
John Barrymore, cast as a defense attorney for the underworld, and subsequently state’s attorney, plays the lead in another picture with the criminal background. The sophisti- cated plot is unfolded rapidly and displays
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all the known modern vices and crimes, with the exception of kidnapping. Justice is shown to be ineffective against a political machine and selfiish interests. The presentation is sincere, the acting real, the direction notable, the dialogue crammed full of “wise cracks,” but the subject matter is unwholesome and distasteful.
Adolescents, 12 to 16 Children, 8 to 12
No Absolutely not
♦
STRANCE CASE OF CLARA DEANE »
Wynne Cibson, Pat O’Brien, Dudley Digges, Frances Dee, George Barbier, Russel Gleason, Cora Sue Collins. Direction by Louis Gasnier and Max Mercin. From the play by Arthur M. Brilant. Paramount-Pubiix.
A mother’s supreme sacrifice for her child is the disheartening finis to this depressing drama. Cora Sue Collins, as the child, gives an outstanding natural performance. The cast is well chosen and the situations well developed. Gripping realities and emotional stress carry the plot to its tragic conclusion. The audience is impressed with the severe punishment meted out to transgressors, but meanwhile, all the sympathy is directed to- ward the unfortunate Clara Deane. “Strange Case of Clara Deane” offers heart throt* tears, and hovering menace in lieu of en- tertainment.
Adolescents, 12 to 16 Children, 8 to 12
Too depressing No interest
♦
TARZAN » »
Johnny Weissmuller, Neil Hamilton. C. Aubrey Smith, Maureen O’Sullivan. Direc- tion by W. S. Van Dyke. M.G.M.
The film follows the characters of the original book closely. From the kidnapping of Jane Parker to the struggle with the pygmies, many of the incidents in Tarzan’s fictional career are shown. At times the melo- drama is blood-curdling, but from the stand- point of photography and direction the pic- ture has beauty and merit. The fascination of the jungle life and scenic beauty, coupled here with Johnny Weismuller’s vigorous in- terpretation of Tarzan, develops a tale full of thrilling adventure.
Adolescents, 12 to 16 Children, 8 to 12
Interesting Very exciting
THIS IS THE NIGHT » *
Lily Damita, Charlie Ruggles, Roland Young, Thelma Todd. From a play by Avery Hop- wood. Direction by Frank Tuttle. Para- mount-Pubiix.
This lyric comedy is a sophisticated little piece, bright and clever, with piquant music and charming backgrounds of Paris and Venice. The cast has been chosen to accentu- ate the comedy, and the direction is unusually adept. Claire persuades her lover Gerald to take her to Venice, but her husband returns at the inopportune moment of departure, and it becomes necessary to secure a bogus wife for Gerald before the holiday begins. The dialogue and situations are adroitly handled but risque, even for seasoned audiences. Adolescents, 12 to 16 Children, 8 to 12
No No
♦
WHEN A FELLER NEEDS A FRIEND » »
Jackie Cooper, Chic Sale, Ralph Graves. From the novel “Limpy" by William John- ston. Direction by Harry Pollard. M.G.M.
In this comedy drama of child life we see a little lame boy gain confidence in himself through sympathetic understanding of an old uncle. Children should feel more kindly toward the handicapped after seeing this picture and there is a lesson in it for grown- ups as well. Chic Sale is excellent and Jackie Cooper plays with a sure touch on the heartstrings of the audience. Perhaps at some points the pathos is exaggerated but on the whole it is a picture that can be recommended for the whole family. Adolescents, 12 to 16 Children, 8 to 12
Good Yes
♦
THE WOMAN IN ROOM 13 * »
Elissa Landi, Ralph Bellamy, Neil Hamilton, Myrna Loy, Gilbert Roland. Direction by Henry King. Fox.
The plot of this melodrama depends for its suspense upon the device of withholding until the bitter end, the obvious word of explanation. A man and woman who are ideally happily married, are made to suffer misunderstandings and jealousies, are dragged through a murder trial, and brought to the brink of separation, in order to satisfy the vengeful hate of the woman’s former husband. Elissa Landi is charming and Ralph Bellamy, as the villain, truly venomous. Adolescents, 12 to 16 Children, 8 to 12
Unsuitable No
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Motion Picture Reviews
THE WORLD AND THE FLESH » »
George Bancroft, Miriam Hopkins, Allan Mobray, George Stone, Mitchell Lewis. Direction by John Cromwell. Paramount- Publix.
Handicapped by a meaningless title, “The World and the Flesh” proves to be an event- ful, swift moving story, dealing with the escape of a band of White Russians, and their capture by the Red sailors (on the Black Sea). It is unrelieved drama, the at- mosphere tense with a sense of impending disaster, and always the sinister shadow of Sovietism looming over all. The parts are well taken, but the interest centers in locale and events, rather than in character devel- opment. Recommended only for adults who enjoy adventures in Russian realism. Adolescents, 12 to 16 Children, 8 to 12
No No
YOUNG AMERICA » »
Spencer Tracy, Doris Kenyon, Beryl Mercer, Ralph Bellamy. From the play by Fred Ballard. Direction by Frank Borzage. Fox.
Into “Young America” is woven the ap- pealing story of a waif, whose native im- pulses are fine, but invariably lead to his own undoing and keep him constantly in the shadow of the Juvenile Court. The film is balanced, vivid and excellently directed. The youthful actors are unusually skillful. The cast is well chosen and the picture, psy- chologically and socially, will interest the entire family. It is for the individual mother to decide whether or not the emotional strain may be too strong for her own child. Adolescents, 12 to 16 Children, 8 to 12
Good Emotional
SHORT SUBJECTS
♦
AUDIO REVIEW No. 10 » »
Pathe.
Audio Review No. 10 is an enchanting picture of deep sea life, showing examples of many unfamiliar types. A clear explana- tion accompanies the photographs. Interest- ing to the entire family.
♦
BEAUTIFUL AND DUMB » »
R.K.O.-Pathe.
This film stars Mary Nolan and Lew Cody in a short comedy, in which a gentleman burglar thinks he is outwitting his hostess, and his hostess knows she is outwitting him. Entertaining for all but the very young.
♦
THE CAT’S CANARY * »
Aesop Fable. R.K.O.-Pathe.
This is an ingenious and entertaining fable in which the cat temporarily swallows the canary. To the consternation of all the fence prowlers, whenever the cats opens her mouth a warble is emitted. Recommended for the family.
EMPIRE OF THE SUN » »
Vagabond Adventure. Produced by Van Beuren Corp. R.K.O.-Pathe.
The insular charm of the Orient during the cherry blossom festival opens this travelogue, and is followed by pictures of Oriental school life and exhibitions of sports. Interesting for the entire family.
♦
GAUNT » »
Talking Picture Epics.
A depressing and ironical production con- cerning theft, imprisonment, suicide. Best avoided in these days of so-called “depres- sion,” whether financial or mental.
♦
IDYLL OF SEVILLE * »
From a series called “ Kendal I -De Va I ly Operalogues.” Educational Pictures Corp.
A condensed adaptation of the popular opera “Carmen,” well sung, and colorful in action and settings. It will be enjoyed by all audiences.
Motion Picture Reviews
Nine
LAND OF CHEWING GUM » »
Produced by Emma Lindsey Squier. Talking Picture Epics.
In Yucatan we are shown the plantations of sapodilla from the sap of which is derived chewing gum. The whole process is depicted, from the tapping of the trees to the shipping of the finished product. The film winds up with a betrothal in the old hacienda built by Cortez. All worth seeing.
♦
LAND OF THE FEATHERED SERPENT
Produced by Emma Lindsey Squier. Talking Picture Epics.
The lost civilization of the Mayan people in Yucatan is the subject of this excellent travelogue. Workers who still speak Mayan are shown rebuilding the Pyramid of the Feathered Serpent. Entertaining and instruc- tive for all.
♦
LASCA » »
Hobart Bosworth. Direction by Ben Holmes. Production by Ben Holmes and Leigh Jason.
Hobart Bosworth gives a masterful rendi- tion of the poem “Lasca,” by Frank Desprez. The graphic illustrations are not so impres- sive as the reciting voice. It is a pleasing novelty for the family.
♦
MAGIC ART » »
Aesop Fable. Produced by Van Beuren Corp. R.K.O.-Pathe.
This is an interesting cartoon in which two artists draw and their oddly assorted figures come to life, dancing and making music. Good for the entire family.
♦
MAD DOC » »
A Silly Symphony. Walt Disney. Columbia.
Mickey’s dog accidentally swallows a cake of soap and is thought to be mad, causing much confusion and hilarity. Excellent fun for all.
♦
MICKEY CUTS UP » »
Walt Disney. Columbia.
One of Mickey’s funniest exploits. Mickey wielding a lawnmower in the springtime is irresistible.
MY LADIES ESCAPADE * »
Produced by Kendall-DeVally. Educational Pictures Corp.
An epitomized version of “Martha,” a twenty minute operalogue, handled with skill and charm in spite of poor photography. Good voices and splendidly conducted music stamp the film as an artistic and educational event. Recommended for the family.
♦
OLD SONGS FOR NEW » »
Paramount.
Musical reminiscenses in colored photog- raphy are orchestrated by George Stoll’s band. The whole is costumed to the period. Recommended to all.
♦
PICTORIAL No. 8 » »
Paramount.
Pictorial No. 8 consists of three features. The first two are of historical and geograph- ical interest, and the closing episode demon- strates an extraordinary development of cer- tain technical skill. Recommended for the family.
♦
SCREEN SOUVENIRS » »
Paramount.
Opening with several valuable historical records, these old films further represent the thrillers and comics of early movie days, when “Tillie the Working Girl” made Mack Sennett famous. Retrospectively highly en- tertaining. Recommended for the family.
♦
SECOND PARADISE » »
Vagabond Series. R.K.O.-Pathe.
This picture of the exotic island of Ceylon takes us into a bewitching tropical world. Dark skinned, Aryan featured Singhalese move in an Eastern pattern across the film, as their customs and culture are caught by the camera. Recommended for the family.
♦
SECRETARY PREFERRED » »
R.K.O.-Pathe.
An emerald necklace valued at ten thou- sand dollars is the pivot of this sophisticated sketch from a Liberty Magazine “short, short story.” Two crooks are cleverly out- witted in their plot by a “gold digging” secre- tary. “Sister, your racket has mine beat a mile,” is the concluding line.
Adolescents, 12 to 16 Children, 8 to 12
No No
Motion Picture Reviews
T eti
A SLIP AT THE SWITCH » »
Chic Sale. R.K.O.
Novel and amusing comedy in melodra- matic style, in which Chic Sale’s character- ization “makes” the picture.
♦
STOCKHOLM * »
Produced and photographed by John W. Boyle, A. S. C., and Ray Fermstrom. R. C. A. Recording. Produced in Multicolor. The first of “The World Wanderings” series.
The life in city street and surrounding territory is pictured in this fine multicolored cinema, taken of the handsome “Venice of the North.” It was used as a compliment to Greta Garbo in the prologue to “Mati Hari.” Beautiful and intensely interesting for the entire family.
♦
TAKE YOUR PICK * »
Crantland Rice Sportlight. R.K.O. -Pathe.
A picture of young America at play during that season of the year when Lake Placid lures the winter sportsman to icy summits while Miami draws lovers of aquatic activi- ties south to tropical shores. Recommended for the family.
♦
VENDETTA » *
Direction by Howard Higgins. Produced by Kendall-DeVally. Educational Pictures Corp.
“Vendetta,” based on the opera “Cavalleria Rusticana,” is a delightful operalogue, pic-
turesque and tuneful, and is heartily recom- mended to all audiences.
♦
WHIPPET RACINC » »
Metro-Goldwyn-Mayer.
An illustration of training whippets from puppyhood to adult racing champions consti- tutes the interest of this film. Recommended for the family.
♦
WHISPERING BILL » »
Chic Sale. Direction by Ben Holmes. Pro- duction by Ben Holmes and Leigh Jason.
This photographed poem is characterized by Chic Sale, who gives a creditable per- formance. “Whispering Bill” was written by Irving Bacheller. Interesting for the family.
♦
WAR IN CHINA » »
Descriptive narrative prepared by H. V. Kaltenborn. John S. Young, radio an- nouncer. Educational Pictures Corp. (filmed with the official permission of Chinese Ceneral Yuan Kai-Shek).
A news reel type of picture, showing the devastation and havoc of the Japanese siege of Shanghai and neighboring towns. The Kaltenborn narrative is a sympathetic de- scription of the suffering and terror of Chinese civilians. An interesting current topic for all audiences.
MOTION
PICTURE
REVIEWS
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES, CALIFORNIA
JUNE 1932
THE WOMEN'S UNIVERSITY CLUB Los Angeles Branch American Association of University Women 943 SOUTH HOOVER STREET
Telephone DRexel 2177
COPYRIGHT NINETEEN THIRTY-TWO WOMEN S UNIVERSITY CLUB
WE3BCRAFT PRINTERS, 1851 ARLINGTON AVE., LOS ANGELES
Motion Picture Reviews
Three
MOTION * PICTURE * REVIEWS
Published monthly by
THE WOMEN’S UNIVERSITY CLUB
LOS ANGELES BRANCH
AMERICAN ASSOCIATION OF UNIVERSITY WOMEN
Mrs. Gerard A. Murray Mrs. Madison J. Keeney Mrs. Bruce A. Findlay Preview Chairman Business Manager Asst. Business Manager
Mrs. John Vruwink - Co-Chairmen - Mrs. Palmer Cook
EDITORS
Mrs. J. Allen Davis Mrs. John Vruwink Mrs. Walter Van Dyke
Mrs. Palmer Cook Mrs. Arthur Jones Mrs. F. H. Partridge
Address all communications to The Women’s University Club, 943 South Hoover St., Los Angeles, Calif.
10c Per Copy - - $1.00 Per Year
Vol. Ill JUNE, 1932 No. 6
EDITORIAL
A unity of purpose and cooperation be- tween organizations having the same objec- tive is always essential for success in any undertaking, and the work of Better Films Committees is no exception to this rule. In fact, in no work are a definite plan and unified opinions more necessary, because the appeal for children’s matinees and family night pro- grams must come from the community, and the exhibiting end of the motion picture industry must be assured that the public will be whole-heartedly behind such an experi- ment. Southern California, because of its loca- tion near the source of motion picture supply, and the great interest this creates, has had its Better Films Committees over a period of many years. Junior matinees have existed for ten years, with varying degrees of suc- cess. In August, 1930, at the Women’s University Club, the California Motion Pic- ture Council was organized, drawing together more closely all the groups which had _beeiu working along the same line?. ^It includes the National Previewing groups, the Boy Scouts, Girl Scouts, Campfire Girls, Girl Re- serves, Y.M.C.A., Librarians, and a number of groups interested in civic work and child welfare. The following outline of the
method of operation and the purpose of the Council is reprinted here, because it may be of service to other groups wishing to work on this subject.
It was prepared by Mrs. John Vruwink (President)
Women’s University Club, Los Angeles Branch A.A.U.W.
Mrs. William Burk (Vice-President)
General Federation of Women’s Clubs Mrs. Leo Hodges
California Congress of Parents and Teachers
The California Motion Picture Council
The California Motion Picture Council is an impartial group of representative organ- izations especially interested in child welfare, working together for better motion picture programs for children and adolescents, and cooperating in educational programs to stim- ulate a realization of the necessity for selec- tive entertainment for youthful audiences. Method of Operation
I. It is a clearing house for available infor- mation on current releases.
Reports of this Council are the con- census of opinion of the groups preview- ing through the courtesy of the Associa-
Four
Motion Picture Reviews
tion of Motion Picture Producers and Dis- tributors, at the Academy of Motion Picture Arts and Sciences in Hollywood. The previewing committee, meeting every two weeks for consultation in compiling the lists, represent the following organi- zations:
Women's University Club, Los Angeles Branch A.A.U.W.
General Federation of Women’s Clubs
National Daughters of the American Revolution
International Federation of Catholic Alumnae
California Congress of Parents and Teachers
National Society of New England Women
National Council of Jewish Women
United Church Brotherhood
The reports are accepted and used by the members of the council not having the facilities or privilege of previewing daily.
The bi-monthly reports are available to community councils upon receipt of stamped, addressed envelopes sent to Mrs. David Ray, Preview Chairman, 1235 South First Street, Arcadia, Calif.
As these reports are the only lists of films which are the united judgment of all of the previewing groups, it is suggested that they be accepted and used by com- munities sponsoring junior matinees and family night programs. It will eliminate discussion, satisfy the theatre managers, and present an united opinion on pictures. Assurance is given that the greatest care is taken in the compilation of the recom- mended lists.
II. It is a clearing house for work done by other community councils and fosters the formation of similar groups, aiding them in any way possible.
III. Suggestions for organizations and pro- cedure of community councils.
(a) Membership of Community Councils Membership should consist of repre- sentatives of all local organizations,
i.e., civic, educational, patriotic, re- ligious, welfare organizations, li- braries, etc. (Men’s groups as well as women’s should be included.) These representatives should be offi- cially appointed by the organizations they represent.
(b) Officers
Officers should include President, Vice- President, Secretary, Press Chairman, Chaperone Chairman. The office of
Treasurer is dependent upon the organization procedure.
The Executive Committee requires great care in selection. It should represent all the organizations most actively interested in the work, should be composed of persons with time to give to the project, tact to handle the problems, and personality to “put the project over.”
(c) Meetings
1. Meetings of the Executive Com- mittee should be held frequentlv and regularly to handle the prob- lems which constantly arise, to plan or supervise the programs, and to plan for stimulating inter- est and cooperation.
2. Meetings of the official representa- tives forming the Council should be held periodically to keep the cooperating groups informed and interested. Failure of these mem- bers to attend the meetings will indicate a lack of interest and the Executive Council will be justified in requesting a successor to replace the delinquent representative.
3. Open meetings should also be held less frequently, with speakers se- lected to arouse public interest in the project. These are a very suc- cessful method of publicity.
4. Meetings with theatre managers are, of course, a required pro- cedure.
(d) Programs
The purpose of the “Junior Matinee” is not to attract children to the movies. It is to safeguard them and to edu- cate parents in selective entertain- ment. A standard for these programs which has proved practical through years of experiment, is as follows:
1. Length of program should not ex- ceed two hours. (The obvious rea- son for this relates to children’s physical, nervous and emotional endurance.)
2. Type of program:
(a) One feature length film ap- proved by the National Pre- viewing Committee of the California Motion Picture Council. (No film is appropri- ate for the child under eight or nine years. Parents of younger children must realize this.)
Motion Picture Reviews
Five
(b) Approved short subject. Com- edies, cartoons, newsreels and educational shorts.
(c) Serials are discouraged be- cause they are too emotional and exciting.
(d) Singing on the part of youth- ful audiences is to he en- couraged.
(e) If additional entertainment is given by children on the stage, it is recommended that group performances are to be pre- ferred to those of talented individuals.
(e) Publicity
1. Through each organization repre- sented.
2. Through bulletin boards of li- braries, Y. M. C. A., Y. W. C. A., clubs, etc.
3. Through published channels.
(a) Recommended lists of films.
(b) News stories of the activities of the Council and the mati- nees.
4. Trained speakers to go before service clubs, women’s clubs, P. T. A. groups, etc.
(f) Chaperones
Tactful mothers should be in regular attendance. Their duties depend up- on the attitude and wishes of the management of the theatre.
(g) Contact with the Theatre Managers Theatre managers are usually more than willing to cooperate in any con- structive movement which represents the wishes of the community. An united group is necessary. A tactful “go between” who is intelligently fa- miliar with theatre problems should be selected for the contact.
An avoidance of censorship in dis- cussion or practice is necessary in order to obviate an impression of in- tolerance and to secure cooperation. A constructive method of cooperation in this respect is bringing the atten- tion of the public to the finer films and to encourage attendance for these pictures.
“Family night” programs for Friday or Saturday nights make possible a wider range of film selection and are to be encouraged because they meet an even greater need in reaching adolescents. In many communities they are in greater demand than junior matinees.
FEATURE FILMS
♦
AS YOU DESIRE ME » »
Greta Garbo. Melvyn Douglas, Eric Von Stroheim, Owen Moore. From the play by Lugi Pirandello. Direction by George Fitz- maurice. M.-G.-M.
Admirers of Miss Garbo will not be dis- appointed, we believe, in this production, her- alded as her last. While it is not the best plot she has had, it does give her an oppor- tunity of delineating decided changes in char- acter, from the hard, bitter mistress, through a period of doubt and retrospection, to a charming, happy woman who personifies youth. In this last character she is utterly delightful, a happy return to the lovely, lyric beauty who charmed Sweden in “Gosta Berling.” In plot, it tells a story of amnesia, of the culmination of a ten-year search for a woman who is a victim of the horrors of war, and we are left almost certain that the husband’s search has been successful. The
story is well told, with an excellent cast, and the pictorial surroundings are lovely.
Adolescents, 12 to 16 Children, 8 to 12
Not harmful for older adolescents No
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THE DOOMED BATTALION » »
Louis Trenker, Tala Birell, Victor Varconi, Henry Armetta. Direction by Cyril Gard- ner. Universal.
The futility of war is depicted in a new setting, the Italian stronghold of “The Doomed Battalion.” Two close friends, one Italian the other Austrian, who have spent long hours together climbing their beloved Alps, are forced through the world conflict to become enemies. Loyal and courageous, they give themselves to the countries which claim them. We see these men reunited after- wards, and again climbing the battle-scarred mountains, all this in glorious photography. Handled simply and sincerely and with great
Six
Motion Picture Reviews
dramatic force, this picture has a strong ap- peal. It is a new treatment of the war theme. To heighten its reality, a particularly well chosen cast of foreign types has been as- sembled.
Adolescents, 12 to 16 Children, 8 to 12
Good Depressing
THE FAMOUS FERGUSON CASE » »
Joan Blondell, Grant Mitchell. Vivienne Os- borne. Tom Brown. Direction by Lloyd Bacon. Warner Bros.
This drama is another rap at the methods of yellow journalism, this time shown in con- trast with the more enlightened and ethical procedure of good newspaper reporting. When a nationally known financier is mur- dered in a small town, city reporters flock to the scene. One faction, determined to get a story at any cost, manufactures scandal and tragedy, while the others hunt for real clues and the local reporter solves the mys- tery. The underlying idea is interesting, and the theme is well presented for adult audi- ences. In spite of humorous touches and the youth and wholesomeness of the hero, the ugly problems involved make a rather grim picture.
Adolescents, 12 to 16 Children, 8 to 12
Not advised No
FAST COMPANIONS » »
Andy Devine, James Gleason, Tom Brown, Maureen O’Sullivan, Mickey Rooney. Direc- tion by Kurt Neumann. Universal Pictures Corp.
Racing, fair and foul, is the background for this comedy. A professional jockey em- ploying dishonest methods for his own and his partner’s aggrandizement, is suddenly in- spired to right about face and to set an example to a misguided waif who crosses his path. While the child changes his entire point of view, the questionable antics of the lovable little gamin may be remembered by children long after his reform is forgotten. (Note for parents with impressionable chil- dren.) Unhackneyed, with a certain degree of charm, this simple drama has elements both of pathos and of humor. It is the type of theme which elicits innumerable chuckles. The direction is adequate and the actors real and satisfying.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Yes
FORCOTTEN COMMANDMENTS » »
Gene Raymond, Marguerite Churchill, Irv- ing Pichel, Sari Maritza. Direction by Louis Gasnier and William Schorr. Paramount- Publix.
“Forgotten Commandments" is evidently intended as a preachment on the unsoundness of Russian communistic theories. It shows in modern Russian setting, that the idea of loy- alty to the state, rather than to the family is not tenable because basic human loyalties do not permit a practical application. The scientist and communist becomes merely a jealous lover when his personal rights are infringed. The producers had an opportunity to present an interesting objective picture on social doctrines, but the method of presenta- tion confuses the issue and it is only another plain spoken drama on the subject of extra- marital relationships. The interpolated scenes from Cecil De Mille’s “Ten Commandments" attract attention as a revival, but add noth- ing to the story, and suffer by comparison with modern technique.
Adolescents, 12 to 16 Children, 8 to 12
No — Objectionable No
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CHOST VALLEY » »
Tom Keene, Merna Kennedy, Mitchell Har- ris, Kate Campbell. Direction by Fred Allen. R.K.O.
If the family has a leaning toward Western melodrama made according to the usual formula (hard riding, straight shooting and much fighting), by all means go to see “Ghost Valley" and take the children!
Adolescents, 12 to 16 Children, 8 to 12
Good Good
▼
HUDDLE » »
Ramon Novarro, Madge Evans, Una Mer- kel, Ralph Graves. Direction by Sam Wood. M.C.M.
Although Hollywood cannot refrain from putting its own touch upon certain phases of collegiate life, “Huddle” has a charm and dignity which many college pictures lack. It is the story of a steel foreman’s son who wins a scholarship at Yale, and the authentic background of “Old Eli” adds greatly to the interest. The boy, who is egotistical and crude when he enters the University, learns in his four years the value of tradi- tion, of good sportsmanship, and of scholar- ship. It is a football story with an unex- pected twist of realism in its denouement. The most colorful and delightful scenes center around the Italian hero’s home life in which
Motion Picture Reviews
Seven
Henry Armetta, as the father, gaves an out- standing performance. It is good entertain- ment for all ages.
Adolescents, 12 to 16 Children, 8 to 12
Entertaining Good
romantic flights, and pioneer characters, all given in sincere “Western” style.
Adolescents, 12 to 16 Children, 8 to 12
Good Good
LETTY LYNTON » »
Joan Crawford, Robert Montgomery, Nils Asther, Lewis Stone, May Robson. Direc- tion by Clarence Brown. From a novel by Mrs. Belloc-Lowndes. M.G.M.
Lctty is an exceedingly unconventional young woman, but she regrets her past indis- cretions when she falls in love with a nice young man. In attempting to extricate her- self from an entanglement with an unscrupu- lous South American, she encounters serious difficulties and is saved from a murder charge only by the timely lies of her mother and her fiance. With little variation “Letty Lynton” is “Dishonored Lady,” in which Catharine Cornell starred on the stage. In spite of disgraceful ethics and a plot that reads like arrant trash, this picture is skilfully directed and photographed, well acted and deftly han- dled in its entirety. One regrets that the subject matter is not more worthy of its superior treatment.
Adolescents, 12 to 16 Children, 8 to 12
Most unsuitable No
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MAN ABOUT TOWN » »
Warner Baxter, Karen Morley, Conway Tearle. Direction by John Francis Dillon. Fox.
Official Washington is the background for an inconsistent melodrama in which good actors partly redeem the poorly constructed tale. The reaction to the situations pre- sented is that if the heroine must commit a murder it is well to have a fiance in the government service who will unflinchingly forsake duty and life for his loved one. Adolescents, 12 to 16 Children, 8 to 12
No Unsuitable
MARKED MEN » »
Tom Mix, Lucille Powers, Willard Robert- son. Direction by Edward Laemmle. Uni- versal. (Seen in preview.)
This is a typical Tom Mix Western played before interesting scenery and has the usual quota of heroism, rapid riding and mass gun play. The story concerns an outlaw gang and their capture. There are thrills,
MERRILY WE GO TO HELL » »
Sylvia Sidney-Fredric March. From the story, “I, Jerry, Take Thee Joan,” by Cleo Lucas. Direction by Dorothy Arzner. Para- mount-Publix.
The appeal of this picture will be limited. It is a story of the demoralizing effect of liquor and no doubt depicts with realism cer- tain phases of life which can be duplicated in any modern city, but many will feel that the point could have been made with less in- sistance on unsavory and vulgar details. Syl- via Sydney and Fredric March are excellent in their respective roles as the young wife and the reporter-playwright, while the direc- torship gives more power and distinction to the production than it deserves.
Adolescents, 12 to 16 Children, 8 to 12
Very unwholesome No
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THE MIDNIGHT LADY » »
Sarah Padden, John Darrow, Claudia Dell, Lina Basquette. Direction by Richard Thorpe. Universal. (Seen in preview.)
Murder, martyred motherhood, racing youth, selfish grandmother, unhappy family life, artist roue, are all elements that make up this sordid melodrama. Interest is sus- tained by complications rather than by direct story. All of the unplesant situations pos- sible are embodied into a mediocre plot with a few high lights of heavy dramatic charac- ter portrayal.
Adolescents, 12 to 16 Children, 8 to 12
No No
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MIDNIGHT PATROL * »
Regis Toomey, Betty Bronson. From a story by Arthur Hoerl. Direction by Cristy Ca- banne. Monogrom-C. C. Burr.
The police may feel their rights infringed upon, as it is a cub reporter who again un- ravels the mystery in this picture. While it is built upon a sordid situation, the principal characters are young and clean-minded, and it is not objectionable in tone. It is, however, chaotic melodrama with lack of dramatic emphasis and will not be remembered long after the final curtain.
Adolescents, 12 to 16 Children, 8 to 12
Doubtful Not suitable
Eight
Motion Picture Reviews
MISLEADING LADY » »
Claudet Colbert, Edmund Lowe, Stuart Er- win, Robert Strong. Direction by Stuart Walker, Paramount-Publix.
An excellent cast do their best for a stupid, uneven story which is neither farce, drama nor comedy. A bored rich girl tries to con- vince a producer that her allure is sufficient to warrant a leading role in his new play. She proceeds to demonstrate this aforemen- tioned quality in the usual banal situations such as: abduction by a strong silent ex- plorer— a lonely mountain cabin, and — finally truc love. Apparently the producer is satis- fied by this artistic display. Not so the long- suffering audience. The recommendation is to stay home from this one!
Adolescents, 12 to 16 Children, 8 to 12
Certainly not No
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NIGHT WORLD » »
Lew Ayres, Boris Karloff, Hedda Hopper, Mae Clark, Bert Roach. Direction by Hobart Henley. Universal.
Behind the scenes in a night club, the audi- ence is allowed to witness bits of drama in the lives of the proprietor, his wife, the danc- ing master, one of the girls, a chance cus- tomer and the inevitable gangster. The story is a heterogeneous collection of coincidences and does not unfold smoothly. The atmos- phere is unpleasant with an over-emphasis of tawdriness, in spite of the unsullied inno- cence of the juvenile leads.
Adolescents, 12 to 16 Children, 8 to 12
No Certainly not
-v
NO GREATER LOVE » »
Alexander Carr, Betty Jane Graham, Dickie Moore, Beryl Mercer, Alec B. Francis. Direc- tion by Lew Seiler. Foy Productions, Ltd. (Released by Columbia.)
This tear-stained melodrama stretches cred- ulity and good judgment in drawing a com- parison between institutional and home life. In the tenement world a bereft and crippled child is cared for by a kindly Jew whose love and devotion leads him to invest his entire capital in her medical care. Hack- neyed in plot, and badly overdrawn, it will still have its human appeal in the old man’s beautiful portrayal of great self-sacrifice to his small charge, and the child’s reciprocal warmth of feeling and appreciation. Bits of humor relieve the tragic scenes, and a re- markably fine cast will induce further inter-
est. It is entertaining, even though full of emotional appeal.
Adolescents, 12 to 16 Children, 8 to 12
Fair Of interest — if not
too tragic
PASSPORT TO PARADISE » »
Jack Mulhall, Blanche Mahaffey. Direction by George Senter. Weeks Production. (Seen in preview.)
An amusing story woven about a whimsical provision of a will fails to convince due to the fairy tale complications, including a prin- cess regaining her throne by revolution and losing it again via the same method, and a stow-away promoted to a ship’s officer en voyage. The dramatic value is undeveloped and the production wholesomely treated, but there is nothing outstanding to recommend. Adolescents, 12 to 16 Children, 8 to 12
Not harmful Not harmful
THE RICH ARE ALWAYS WITH US » »
Ruth Chatterton, George Brent, Adrienne
Dore, Bette Davis. Direction Alfred E.
Green.
“You are the most beautifully civilized person I know,’’ says Julian (George Brent) to Caroline (Ruth Chatterton), as they lunch together in a fashionable restaurant. If being civilized means maintaining one’s equilibrium under stress, this is a true estimate, for Caro- line becomes disillusioned about her hus- band’s fidelity, concedes him a divorce and repels a too ardent suitor with admirable savior faire and undiminished sweetness. The picture continues for seventy-one min- utes because she cannot overcome her ma- ternal solicitude for her ex-husband or forget her duty as a former wife long enough to acknowledge her love for Julian. Though advertised under its inappropriate title as a light and sparkling comedy, this production is almost heavily tragic at times and the theme is certainly not cheerful. Only the extremely good performance of Miss Chatter- ton and Mr. Brent gives the production any claim to distinction. The cast is spotty, the plot vague, the direction wavering, the sophis- tication exaggerated. On the whole the pic- ture is not convincing.
Adolescents, 12 to 16 Children, 8 to 12
Demoralizing No
Motion Picture Reviews
Nine
THE RIDER OF DEATH VALLEY » »
Tom Mix, Lois Wilson. Direction by Albert Rogell. Universal Pictures Corp.
The struggle for possession of a gold mine, with clearly defined heroism and wicked- ness, forms the basis of the plot. The cast is much better than one ordinarily finds in a Western, and all give a good performance including the beautiful intelligent horse, Tony. Photography of the desert country with shadows passing overhead is outstand- ing. As a whole it is a good family picture, although there are rather tense moments for the youngest and most impressionable mem- bers.
Adolescents, 12 to 16 Children, 8 to 12
Good Good although
very exciting
RESERVED FOR LADIES » »
Leslie Howard, Benita Hume, George Gold- smith. Story by Ernest Vadja. Directed in Paramount’s English studio by Alexander Korda. Paramount-Publix.
Leslie Howard is cast as a headwaiter of a fashionable London hotel, and is the darl- ing of the ladies and the friend of their escorts. Complications ensue when he falls in love. The charm with which this English production is endowed is a decided attrac- tion. Settings, casting, diction are very fine, and Mr. Korda’s skillful direction in deftly handling the more sophisticated portions is to be commended. It is a delightful comedy: witty, satirical, amusing.
Adolescents, 12 to 16 Children, 8 to 12
Not harmful No interest
SOCIETY CIRL » »
Peggy Shannon, Walter Byron, James Dunn, Spencer Tracy. Direction by Sidney San- field. Fox.
Hollywood’s idea of a “Society Girl” is, to put it mildly, astonishing! Peggy Shannon, as a society' girl spoiled, and bored with a life of gaiety, recuperates with a young prize- fighter (much to his detriment). But neither bad grammar on his part nor easy morals on hers, succeed in hindering the course of true love. The actors are well cast, and some will enjoy the training and fight scenes, but the tone of the whole is unwholesome and the story absurd.
Adolescents, 12 to 16 Children, 8 to 12
No No interest
THE STRANGE LOVE OF MOLLY LOUVAIN
Anne Dvorak, Lee Tracy. From “Tinsel
Girl,” by Maurine Watkins. Direction by
Michael Curtiz. Warner Bros.
"The Strange Love of Molly Louvain” with its sordid details might be the case history of some unfortunate girl delinquent. Deserted by her mother, betrayed by a lover, kept by a gangster and rescued by a newspaper re- porter, Molly is amusing but pathetic, brave, tough and sentimental. Lee Tracy does ex- ceedingly well as a type of breezy “wise guy" whose quick wit is entertaining, but not original. After the overdose offered in the past few months, police headquarters, gangster parties and newspaper offices are growing decidedly less interesting. We see nothing in this picture to weigh against the staleness of its material. The implied happy ending is incongruous.
Adolescents, 12 to 16 Children, 8 to 12
Pernicious Certainly not
■sr
THE TENDERFOOT » »
Joe E. Brown, Ginger Rogers, Lew Cody.
Direction by Ray Enright. Warner Bros.-
First National.
In this picture Joe E. Brown plays the role of a garrulous country boy from Texas, punctuating his remarks with many “Whoo- pees!” He arrives in the city and is imme- diately swindled by some theatrical producers. Later he gets the better of them by a ludricous coup d’etat and earns for himself the reputa- tion of a great satirist. Without a doubt children will love this. It is full of action and good clean comedy, and it will not dis- appoint the “fans” who should know by now what to expect.
Adolescents, 12 to 16 Children, 8 to 12
Very entertaining Good fun
~v
TWO SECONDS » »
Edward G. Robinson, Vivienne Osborne.
Adapted from stage play by Elliott Lester.
Direction by Mervyn LeRoy. Warner Bros.
This is unrelieved tragedy, the grim and ugly events which caused a simple, kindly man to murder the woman who wrecked his life. In two seconds, as the current is turned on in the electric chair, he relives his experi- ences. Two shocking scenes harrow the spectator almost to the breaking point. One where his follow riveter falls from the steel construction to his death ; the other where Robinson screams his denunciation of punish- ment for murder, when he believes that liv- ing on the wages of a kept woman was the greater crime. As a study in psychology it
Motion Picture Reviews
T en
holds possible interest, and Mr. Robinson gives an excellent characterization of the be- wildered victim who goes to pieces under the strain. But it is sordid and ugly and not always convincing in details. It is not enter- tainment in any sense.
Adolescents, 12 to 16 Children, 8 to 12
Absolutely not Absolutely not
v
WEEK-END MARRIAGE » »
Loretta Young, Norman Foster. Direction by Thornton Freeland. Warner Bros. (Seen in preview.)
This picture gets off to a fast start, prom- ising a degree of excellence which unfortu- nately it fails to realize. Apparently it is an attempt to show that a wife can’t keep both her office job and her husband, especially if she earns more money than her spouse. Man needs to be looked after and fussed over; if his wife leaves him to his own devices he will drink too much and some other woman will usurp her perogatives. Loretta Young as a charming and successful young business woman discovers that she has been less successful as a wife, and rather unexpectedly gives up her career. Whatever one’s “idee fixe” on the thesis of the plot, a pretty heroine, romance and comedy combine to make this film sufficiently entertaining. Adolescents, 12 to 16 Children, 8 to 12
Hardly suitable No interest
WESTWARD PASSAGE » »
Ann Harding, Laurence Olivier, Irving Pichel.
From the novel by Margaret Ayer Barnes.
Direction by Robert Nelson. R.K.O.
“Westward Passage” as a novel was a lightly diverting story of a selfish woman who desired to have her cake and eat it, too. It was confused in ethics but at least pre- sented a consistent characterization of a woman who left her first husband because his artistic temperament and lack of funds made living too difficult, who marries a sin- cerely devoted and wealthy American of German descent, and then, attracted again by the man she left, now a successful novelist, tries to return to him but cannot adapt her- self to the mode of life necessary to his suc- cess. The picture, while following this same general outline, is more confused morally, and the theme seems trivial and illogical. The casting of Miss Harding as “Olivia” is unfortunate because she appears too “real” a person to descend to the depths of dis- loyalty and selfishness she is called upon to portray. The dialogue is at times wordy, at others sophisticatedly witty. The direction is good, except that it lacks finesse. While the cast insures interest, the production is somewhat dull and incredible.
Adolescents, 12 to 16 Children, 7 to 12
Unsuitable No
Motion Picture Reviews
Eleven
SHORT SUBJECTS
♦
ALL AROUND TOWN » »
Educational Pictures, Inc.
This Hodge Podge number contains mis- cellaneous views of life in New York. It is fairly interesting because of its variations and has educational elements, but it is not outstanding because the subject matter has been used too often before.
v
BARNYARD OLYMPICS » »
Mickey Mouse. Walter Disney. Columbia.
Mickey Mouse goes Olympic. Especially good fun for all.
■w
BEES AND BEARS » »
Silly Symphony. Walter Disney. United Artists.
A particularly charming and diverting car- toon, from both musical and pictorial view- point. Recommended for all.
'W
BOULDER DAM » »
Talking Picture Epics. Accompanying de- scription by Pat Dowling.
Excellent. Shows the progress made, gives a good idea of the problems involved and what is expected to be accomplished.
■v
CAMERARINC IN CANADA » »
Talking Picture Epics. Principal Distribut- ing Corporation. Comments by Catherine Hilliker.
Wilderness of Canada twenty-four hours from New York, fisherman’s and hunter’s de- light. Excellent subject, but again inane and silly comments.
■w
CAMERARINC IN BORNEO » »
Talking Picture Epics. Principal Distribut- ing Corporation. Comments by Catherine Hilliker.
Native and natural life shown in pictorial beauty, but marred by inane commentary.
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CAMERARING IN IGUASSU » »
Talking Picture Epics. Principal Distribut- ing Corporation. Comments by Catherine Hilliker.
Breath-taking beauty of this river and jun- gles in Brazil, caught by wonderful photog- raphy. The facetious comments could easily be dispensed with.
CAMERARING ON THE PACIFIC » »
Talking Picture Epics. Principal Distribut- ing Corporation. Comments by Catherine Hilliker.
Guadalupe Island off the coast of Peru, refuge for birds, sea lions, etc. Offensive comments mar film.
FLOWERS AND TREES » »
Silly Symphony. Walter Disney. United Artists.
Against a background of good music, flow- ers awake and the trees indulge in romantics. A good short for any program, especially children’s matinees.
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HAPPY POLO » »
Aesop Fable. Van Buren Corp.-R.K.O.
A delightful, impossible animated cartoon in which a mouse hero plays polo on a jointed wooden toy horse and rescues a mouse heroine pursued by a villainous cat. Per- fect for children. Lovely nonsense for any- one.
•w
ISLAND OF PERILS » »
Produced by Sol Lesser. Directed by Cap- tain Sten De Nordenskiold.
“Island of Perils” is a most unusual and interesting travelogue giving us intimate glimpses of the life and customs of the Islands of Faroe.
JUST DOGS » »
Silly Symphony. Walter Disney. United Artists.
In this animated cartoon dogs of all shapes and sizes are released from the pound by an enterprising bull pup. Amusing for chil- dren, but not up to the Disney standard.
PATHEAUDIOREVIEWNo.il » »
Produced and Released by R.K.O.-Pathe.
Three subjects are included in this review. The first is exquisite photography of the cathedral Notre Dame de Chartres. The second shows an American presenting rouge, powder and lingerie to Eskimo women in Labrador in return for raw fish and blub- ber. In the third the Hill Billies give several cowboy songs with unexpected charm.
Twelve
Motion Picture Reviews
THE PROWLERS » »
Educational Pictures, Inc.
Native life in central Africa is the subject with special emphasis upon the hunters’ dan- gers from predatory animals. Exceptional camera shots give an excellent idea of the habits of various beasts. Interesting and in- structive for all.
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SPEEDWAY > »
Educational Pictures, Inc.
Several speed kings of the automobile race track demonstrate their skill. There are close-ups of two or three terrific accidents which make it undesirable for sensitive chil- dren, and the newsreel type of presentation detracts from its interest. Its chief appeal will be to “fans” of automobile racing.
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SEEN IN SYRIA » »
Talking Picture Epics. Principal Distribut- ing Corporation. Comments by Catherine Hilliker.
From Beirnt, with its American University, to Damascus; beautifully photographed and accompanied by pleasantly informative com- mentary.
SPRING ANTICS » »
Aesop Fable. Van Buren Corp.-R.K.O.
With the departure of winter, spring is proclaimed by the ground hog whom we see leading an orchestra. The animals have checked their fur coats, and there is con- sternation when a belated snowfall interrupts the festivities. Entertaining for all ages.
•v
TRAIL OF THE SWORDFISH » »
Educational Pictures, Inc.
A long, losing battle with a swordfish is shown. Interesting sound effects, good de- scription and excellent photography.
WRESTLING SWORDFISH » »
Educational Pictures, Inc.
This Mack Sennett film depicts various types of deep sea fish in Southern waters and winds up with the struggle involved in landing a large shark. The second-rate mono- logue may be overlooked, since the picture is beautifully taken. Interesting for everyone, especially for junior boys.
Motion Picture Reviews
Thirteen
INDEX JANUARY TO JUNE, 1932
FEATURE FILMS
A
After Tomorrow - - -
Alias the Doctor - - - -
Amateur Daddy -
Are You Listening -
Arsene Lupin -
As You Desire Me -
Avalanche -
Her Majesty Love High Pressure Hotel Continental Husband’s Holiday
April
March I
April Impatient Maiden
Fehrnarv Intimate - — —
February It's Tough to Be Famous
May -
B
Beast of the City, The - February
Beau Hunks ------ January
Beauty and the Boss ----- April
Behind Stone Walls ----- May
Behind the Mask ----- April
Big Timer, The ------ May
Broken Lullaby, retitled from Man I Killed - February Broken Wing ------ April
Business and Pleasure - February
But the Flesh Is Weak ----- April
Ladies of the Big House Ladies of the Jury Lady With a Past, The Law and Order Law of the Sea
Lena Rivers - - -
Letty-Lynton
Local Bad Man, The
Lost Squadron
Lovers Courageous
M
C
Cain - - - - -
Careless Lady -
Carnival Boat
Charlie Chan’s Chance
Cheaters at Play
City Sentinels -
Cock of the Air
Cohens and Kellys in Hollywood Corsair - - - -
County Fair - - -
Crowd Roars, The
D
Dancers in the Dark Dance Team Destry Rides Again Devil’s Lottery Disorderly Conduct Docks of San Francisco, The Dr. Jekyl and Mr. Hyde Doomed Battalion
E
Emma Expert, The
April
April
March
February
February
January
January
April
January
April
May
April
January
May
April
February
April
January
June
January
February
F
Famous Ferguson Case - - - - June
Fast Companions ----- June
Final Edition, The ----- April
Fireman Save My Child - March
Forbidden ------- March
Forgotten Commandments - June
Freaks - - March
C
Galloping Through ----- January
Gay Caballero ----- February
Ghost Valley ------ June
Girl Crazy ------ April
Girl of the Rio ------ January
Grand Hotel ------ May
Greeks Had a Word for Them, The - - April
H
Hatchet Man, The ----- February
Heart of New York ----- April
Hell Divers ------ January
Hell House ------- May
Maker of Men
Man About Town
Man From New Mexico, The
Man I Killed, The
Man Wanted - - -
Man Who Played God, The
Manhattan Parade
Marked Men -
Mata-Hari -
Men in Her Life
Men of Chance
Menace, The -
Merrily We Go to Hell
Michael and Mary
Midnight Lady
Midnight-Patrol
Miracle Man, The
Misleading Lady
Mouthpiece, The
N
Neck and Neck Nice Women Night Court Night World No Greater Love No One Man
O
One Hour With You
P
Panama Flo Partners
Passionate Plumber, The
Passport to Paradise
Peach o’ Reno
Play Girl
Police Court
Polly of the Circus
Prestige
Private Lives
Probation
R
Racing Youth -
Rad io Patrol - - -
Rainbow Trail, The
Reserved for Ladies
Rich Are Always With Us, The
Rider of Death Valley, The
Roadhouse Murder, The
January
February
March
January
March
February
May
January
January
February
February
February
April
June
February
March
February'
March
June
May
February
April
February
January
June
January
January
January
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June
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February
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June
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January
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April
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February
February
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January
May
January
June
June
June
May
Fourteen
Motion Picture Reviews
s
Saddle Buster, The - Scandal for Sale -
Scarf ace -
Secret Witness, The - -
Shanghai Express - Sherlock Holmes’ Fatal Hour She Wanted a Millionaire Shop-Worn -
Silent Witness, The Sin’s Payday -
Sky Bride - - - -
Sky Devils -
So Big - Society Girl -
Sooky ------
Soul of the Slums, The -
State’s Attorney -
Steady Company -
Stepping Sisters -
Strange Affair. A -
Strange Case of Clara Deane
Strange Love of Molly Louvain
Strangers in Love, retitled from Intimate
Symphony of Six Million
T
Tarzan -
Taxi -
Tenderfoot -
Texas Pioneers -
This Is the Night -
This Reckless Age
Tomorrow and Tomorrow
Torchy Turns the Trick
Trial of Vivienne Ware, The
Two Kinds of Women
Two Seconds - - -
U
LTnder Eighteen Unexpected Father Union Depot
V
Vanishing Men -
Vanity Fair - - - - -
W
Wayward - - - - -
Week-end Marriage -
Westward Passage -
Wet Parade, The -
When a Feller Needs a Friend
Wiser Sex, The -
Woman Commands, A
Woman From Monte Carlo, The
Woman in Room 13, The
Working Girls - - -
World and the Flesh, The
X
X Marks the Spot -
Y
Young America -
Young Bride -
Z
Zane Grey’s South Sea Adventures
SHORT SUBJECTS
Aesop’s Fables
Cat’s Canary - - - -
Fly Frolic -
Happy Polo - - - -
Last Dance - Magic Art -
Romeo Monk - - -
Spring Antics - Toy Town -
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April, May April June February May March June February
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Ahoy ----- |
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January |
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All Around the Town |
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June |
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Anybody’s Goat - |
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February |
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Athletic Days - |
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April |
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Beautiful and Dumb |
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May |
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Crosby, Colombo and Valee |
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April |
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Fancy Curves - |
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January |
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Freddy, the Freshman |
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April |
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Grantland Rice Sportlights |
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Bob White - - - |
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March |
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Canine Champions |
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January |
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Ducks and Drakes |
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February |
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Flying Leather |
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April |
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Slim Figuring |
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March |
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Take Your Pick |
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May |
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Uncrowned Champions |
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February |
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Helpmates - |
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March |
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Hurry Call - |
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March |
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Idyll of Seville - |
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May |
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Keep Laughing - |
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February |
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Lasca - |
May |
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Mickey Mouse Cartoons |
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Barnyard Olympics |
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June |
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Duck Hunt - |
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February |
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Grocery Boy - |
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March |
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Mickey Cuts Up Mickey’s Orphans Mother’s Holiday - |
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May |
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January |
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March |
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My Ladies Escape |
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May |
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Old Songs For New |
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May |
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Pathe Audio Review No. 2 |
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June |
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Pathe Audio Review No. 8 |
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March |
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Pathe Audio Review No. 9 |
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April |
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Pathe Audio Review No. 10 |
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May |
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Pictorial No. 8 |
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May |
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Play Ball With Ruth |
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January |
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Screen Souvenirs - |
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May |
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Secretary Preferred |
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May |
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Self-condemned - - - |
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January |
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Silly Symphony Cartoons |
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Bees and Bears |
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Tune |
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Flowers and Trees |
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June |
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Just Dogs - |
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June |
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Mad Dog - |
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May |
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Ugly Duckling _ |
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January |
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Slip at the Switch, A |
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May |
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Speedway - |
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June |
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Tony Wong’s Scrap Book |
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February |
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Torchy Too Toots |
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February |
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Trail of the Swordfish |
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June |
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Travelogues |
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Boston Common |
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February |
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Boulder Dam |
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June |
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Cameraring in Iguassu |
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June |
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Cameraring in Borneo |
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Tune |
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Cameraring in Canada |
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June |
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Cameraring in the Pacific |
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June |
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City of Faith - |
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February |
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Desert Regatta |
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April |
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Door of Asia - - - |
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March |
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Empire of the Sun |
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